T.26 is one of the original indie foundries. Since Carlos Segura launched the company ten years ago it’s balooned into a massive 1900-font outfit. The foundry is best known for its techno type, so it’s easy to overlook some very classy organic designs in the sheer volume of fontage. This week’s script sale reminds us that T.26 is more than harsh angles and spaceship metal.
>Claudio, positive opinions provide only half the picture.
Hrant, I just don't wish to talk about T-26 ethics, that's all. You know I have no problems spitting out the poison if it's the case. In a polite manner, of course.
So, to the tyep, and to let you know I just don't care about T-26 as a foundry but only for specific faces and designers which I admire:
Escrita: I love it, as I love Mario's Caligrafia De Bula at Psy-Ops. An exquisite balance between roughness and order.
Feltrinelli: Ok, I have to admit it: Feltrinelli isn't exceptional but as an Italian, with all the publishing and political implications the name conjure I couldn't help loving it and its "nonsense" attitude. Besides I love almost any Frank Heine typeface.
Feltrinelli is an historical and leading publisher (politically colored), here in Italy. Feltrinelli, the founding father of the house, died in the attempt of placing a bomb in the 1970s (known as "the lead years" hear in Italy, for left-wing terrorism).
Bacchus: by my friend Gábor Kóthay (Fontana, Fontmunkasok) is a masterpiece. No futher words needed.
I just hate it's a T-26 release. Check out also his Ambiet at P22/IHOF. Another masterpiece.
Lassigue D'Mato & Bon Guia: Well, I can't help it but appreciate them. Raw and beautiful. With all the copy/paste/recycle faces Marcus has done (see Prophecy, also in this batch), these ones are genuine, and not technologically-tampered.
Indelible Victorian: Well, the very first out-of-focus script, I think. Not original in terms of execution but fascinating.