Audrey Niffenegger is a printmaker, bookbinder and novelist. In fact, the author photo on the jacket of her new novel shows Ms. Niffenegger standing behind a Vandercook.
The book, The Time Traveler’s Wife, might be the sweetest and most honest thing I've read since The Story About Ping when I was 5. It could be described as nothing more than a highbrow science fiction romance novel, which is a bit of a simplification, but with a fair amount of action ocurring in the Newberry Library and with appearances by Rudolf Koch and the Kelmscott Chaucer, I found it particularly resonant.
a few wood Antiques; plus Onyx; Sol Hess's Spire; Middleton's Lafayette; Cheltenham Compressed; and Latin Condensed. and we can't forget Karnak Obelisk! there's a face that deserves to be revived.
nick, what was your short list? are these all wider than what you had in mind?
Well, the figure 3 was a figure of speech, I didn't have anything in mind beyond Rod MacDonald's "Loyalist" (I think he based it on an older face, perhaps Eden), which I have seen used for quite a few romance covers, particularly on a series for Sandra Brown.
I've designed a few romance covers, and been surprised at how few ultra condensed serif faces there are, and they all seem quite dated (retro, rather than classic).
Yes, I've used Onyx, but its contrast can be a bit bold. For a couple where I wanted a classic look, I set the title in ITC Garamond Condensed, and Arepo, drastically squished them, and then corrected the stroke/serif weight distortions.
So, I would say there is a need/market for a plain, classic, ultra condensed serif typeface.
Bureau Empire, while not serifed, does have stroke contrast, and is, along with Agenda Thin Ultra Condensed (also from the Bureau), the "purest" in the category -- they are really, really condensed, but still with a typographic personality not totally overwhelmed by the genre.