Verlag, the Latest Pre-War Modernist Sans
Verlag comes on the heels of similar early- to mid-century modernist throwbacks like Cyrus Highsmith's Relay and Christian Schwartz's Neutraface. At first glance in seems more usable than those. With its strict geometry, low crossbars, and quaint italics, Neutraface is better suited for display settings; and Relay always felt a little too constructed to me, too much bézier apparent -- which is a Highsmith trademark, for better or worse.
And to satiate the need for even more pointed apexes, Akira Kobayashi is putting the finishing touches on a Metro revival that should bust outta Linotype later this year. With all these warm geometrics (oops, forgot Jim Parkinson's wonderful Richmond), and two great digitizations of Nobel available (from DTL and Font Bureau), I don't know why anyone would use Futura anymore. See also: Schwartz discusses Neutraface Posted by Typographica | June 13, 2006 | LINKPost a comment. |