- 02.10.12
Equity
M. Busse: would love to use "Equity" but $120 for a single license is a bit stiff… - 02.08.12
Automated Kerning With iKern
Stephen Coles: Ahhh, I completely overlooked Kern Master (DTL has got to get their English pages up!). I wonder if this is the same technolo… - 02.06.12
Detroit
Luke Tonge: Chris, great to see Alex's Detroit face showcased here! It's a cracking piece of work and we were only too delighted to give … - 02.06.12
Roboto is a Four-headed Frankenfont
ceegee: Exactly what I thought when I saw it. Instead of creating a new typographic identity, they mixed fonts to make something "sta… - 02.05.12
Chartwell
AndrĂ© Mora: I really like Chartwell and have used it for editorial design. I'm impressed by its ingenuity and excited by what it may insp… - 02.02.12
Making Geometric Type Work
ltoshach: This was very interesting and helpful, I am a new graphic design student and am starting to become really focused on fonts I … - 02.01.12
Aria
Jessica Braun: I just would like everyone to know that I am a poor college student and I really want this font and I am accepting donations.… - 01.30.12
Neacademia
Florian Hardwig: Addendum: This review was not even published yet, when Rosetta already announced an update. This new version addresses my few… - 01.30.12
Sutturah
Maximiliano Sproviero: La verdad esta tipo es increĂble. Muy muy buena, te felicito Octavio.…
Crazy Ed Fact from Macworld – April, 2001:
After serving in the Air Corps in Italy, he made a name for himself as a jazz drummer under the moniker ‘Eddie Benart,’ playing with bands led by Stan Kenton and Woody Herman.
I love that my Maryland license plate is set in Benguiat. Not sure which drawing of Benguiat in particular though…
I’m curious, what makes Ed Benguiat such an entertaining speaker, Stephen? I remember seeing Jim Parkinson and Dave Farey at TypeCon 2002, and I looooved every minute. They were such “wise guys”. Great sarcasm.
I saw Mr. Benguiat back in early ’90s at SVA (I think) in New York. Don’t remember much about the actual content, but he rambled a bit, ranted a bit, and was, as Stephen says, very entertaining.
I wish I still lived in New York to be able to see people like Ed Benguiat speak (along with being able to visit The Society of Illustrators Museum).
I felt lucky to be a student at School of Visual Arts when Benguiat had a great exhibit (called “Man of a Thousand Faces) there back in the late 1980′s. The show had lots of BIG and precise character drawings. I still have copy of the show flyer.
Attending an Ed Benguiat presentation is a real treat. I’m happy to report that he’ll be a speaker at TypeCon2004 in SF this July. Looking forward to hearing more of Ed’s stories, and what he’s got going on these days. Jim and Dave are also set for a dual presentation, which will be another great show.
I had the opportunity to study under Ed at SVA a few years ago. He is the real deal, with skills that can only come after drawing literally thousands of fonts. While I’ve not heard him at a speaking gig, in the classroom he tells story after story all with a definite old school/non-PC bent, and meanwhile drops nuggets of typographic gold. Little type rules, sayings to help you remember proper glyph structure, etc.
But you gotta be paying attention ’cause they go by fast and before you know it you’re hearing about flying photo-recon over Germany and the good old days with Herb Lubalin. I’m going to have to wait for TypeCon, but by all means go if you have the chance.
The other thing to say about Ed is that he loves to see people getting excited about type and carrying the torch. Go up and talk to him after. Bring a sample to show him and ask his opinion. — R
I really enjoyed reading all the fun things about myself.
Stop in and say hello anytime.
I’m still doing my thing at The School of Visual Arts
And I love you all.
Ed Benguiat