- 01.27.12
Sutturah
Marian Bantjes: I love this! My highest compliment: envy.… - 01.27.12
Neue Haas Grotesk
Erik Spiekermann: That, Matthew, is why Helvetica was so successful: nobody except a few Swiss & German designers would have ever dared order t… - 01.27.12
Apple Color Emoji
Christoph: You can find a complete overview of all the Apple Color Emoji characters here. (Works only with Safari. Hover to see Unicode … - 01.26.12
Changing
André Mora: I would love to read a 5,000 word review by Paul Shaw on this typeface. Though something tells me he'd only need 5.… - 01.26.12
Ambicase Fatface
Stephen Coles: Celebrating its inclusion on this list, Ambicase Fatface is now 30% off at MyFonts.… - 01.26.12
Our Favorite Typefaces of 2011
Stephen Coles: Jason Santa Maria just posted a nice summary of highlights from the list.… - 01.26.12
Reina
Marian Bantjes: Whoa. Fantastic!… - 01.26.12
My Favorite Font Sources: A Shortlist of Trusted Foundries and Retailers
Josh Farmer: What about Underware and TypeTogether?… - 01.26.12
Elena
Fredrik Jönson: I remember seeing Elena in an early specimen (from the MA?) some years ago already. Loved it instantly. Now I feel there are …
Today, the International House of Fonts (IHOF) fills that void with the release of their own P22 Bifur. Rich Kegler’s creation includes six fonts with layerable sets of wide lines, fine lines, and solid overlays. He took it a step further and added a lowercase that complements Cassandre’s initials surprisingly well.

IHOF (supposedly the daughter of P22, but I’m having trouble distinguishing the two labels lately) also announced another multilayered revival: Durer Caps, again an alphabet that was previously only available via less serious renditions (Duerer Latin, Codex, Hands On Albrecht).
See also: Anisette : Applied Geometry of Albrecht Dürer : De Symmetria
Finally! Great going, Richard.
One thing I don’t get is why the lc is featured so timidly. It’s a big deal, to me at least.
hhp
I loved pages 2-4 of the PDF specimen. :)Thanks guys I needed a laugh today.
I love the Bifur numbers. Now, would those be original?
(As for humour, I’m partial to the last page of the PDF.)
nice. must remember, ‘bifur is not a screen font’.
love the two-tone thing, and the lc is great, very sympathethic.
Ha! This is fantastic, I was just looking for Bifur a week or two ago. Thanks for the news.
Thanks!
Bifur numbers. Now, would those be original?
The UC, figures and some punctuation are all from Cassandre’s original.
The phrase “THIS IS NOT THE WAY TO USE BIFUR” is borrowed from the original Bifur specimen booklet.
The lc was a challenge and I understand why Cassandre didn’t create one. If you want to have a look at the full character set, you can try it out (a little bit at a time) on the TypeCaster™. We may re-work the PDF specimen to show the lc to better effect.
Wow! Dürer caps was designed by a designer from Liechtenstein… how cool is that?
Really nice! Those lowercase are very nicely done. Richard is this available in OpenType? Will it be?
Opentype doesn’t matter. It is really cool. Anything that reminds me of this time period has my vote when revitalized in such a way.
OpenType…not too soon. We will be releasing our first OpenType fonts soon, but not for Bifur…unless the masses cry out for such a thing.