- 01.27.12
Neue Haas Grotesk
Erik Spiekermann: That, Matthew, is why Helvetica was so successful: nobody except a few Swiss & German designers would have ever dared order t… - 01.27.12
Apple Color Emoji
Christoph: You can find a complete overview of all the Apple Color Emoji characters here. (Works only with Safari. Hover to see Unicode … - 01.27.12
Sutturah
Marian Bantjes: I love this! My highest compliment: envy.… - 01.26.12
Changing
André Mora: I would love to read a 5,000 word review by Paul Shaw on this typeface. Though something tells me he'd only need 5.… - 01.26.12
Ambicase Fatface
Stephen Coles: Celebrating its inclusion on this list, Ambicase Fatface is now 30% off at MyFonts.… - 01.26.12
Our Favorite Typefaces of 2011
Stephen Coles: Jason Santa Maria just posted a nice summary of highlights from the list.… - 01.26.12
Reina
Marian Bantjes: Whoa. Fantastic!… - 01.26.12
My Favorite Font Sources: A Shortlist of Trusted Foundries and Retailers
Josh Farmer: What about Underware and TypeTogether?… - 01.26.12
Elena
Fredrik Jönson: I remember seeing Elena in an early specimen (from the MA?) some years ago already. Loved it instantly. Now I feel there are …
Klavika is a versatile workhorse typeface. Despite its clean design, it manages to retain a certain warmth and openness. The roman sports a lovely lowercase ‘a’, a cute little alternate ampersand, and one of the most beautiful lowercase ‘g’s I’ve seen in this type of design. The fact that it is released as “fat OpenType” is just icing on the cake and gives the competition a serious run for its money.
It came as a bit of a surprise when Eric confessed that the typeface nearly escaped an early death:
I was a little reluctant about the face for several months and even shelved it completely at one point. Anytime you apply some amount of simple geometry (in this case, straight sides) to a face the chances for stylistic overlap become great. Faces like DIN, Sophisto, Bell Gothic etc. have straight sides so the push to differentiate from them was tough. In the end I just forgot about it and tried to make an open, solid and logical typeface. Hopefully something flexible and rugged.
See also: Sophisto Breaks Basic Sans Monotony
I really think Klavika is an achievement, bringing some warmth to a still neutral, high-tech looking design. And it manages to get openness into relatively narrow design, which gives it an inviting readability compared to many sans. I hope we see a lot of it.
William wrote his comment over 3 years ago and his wish has come true. We’re seeing a lot of Klavika. Here is the Fonts in Use page at Process and here are a few images and links I’ve collected.
It is also being used a lot by Chevrolet in some of their collateral and advertising.
@Chris Klavika is the new typeface for Chevrolet (and GM). It is all over the artwork in the site for advertisers.
Facebook logo uses it
Yep! Read more about that here.