- 08.23.10
Stag
Sye: I love Stag. It's actually almost become my default, although it's taken me a while to get use to it.… - 08.19.10
Making Geometric Type Work
Michael Critz: A great post, Ian. In our studio there’s a great deal of concern about how certain geometric fonts have “fatal flaws.” For in… - 08.17.10
Saul Bass Website and “Hitchcock” Font Are Back
keith morris: The lettering artist that did the lettering for the Saul Bass titles was Art Goodman. … - 08.11.10
Font Spotting the Thank You for Smoking Titles
Viktor Kaganovich: Mindy Marin is Corvinus Skylight. To not have recognized it... … - 06.30.10
U&lc: Influencing design and typography
Nick Shinn: The big format was important. I worked in an ad agency at the time, and we'd do posters and big newspaper and tabloid magazin… - 06.28.10
FontBook, 4th Edition
sheema mahmud: I would love to have this book, how could it be possible from where to buy? regards… - 06.27.10
Darka
Meave is One Badass MF | Typography Texas: [...] first heard about him when I saw Darka. I’ve been dreaming of designing a book about heraldry using that font. I … - 06.25.10
Archer
Tiffany: The biggest problem for Archer is going to be breaking away from being typecast. Martha Stewart did (does) a great job of usi… - 05.27.10
Fraktur Mon Amour, 2nd Edition
Chris Lozos: Well written and thoroughly done, Florian. I must admit that I enjoyed the Modern display faces more than you seem to have. T…
The new site is an improvement. Particularly helpful additions include a new page highlighting recent releases, a nifty “wishlist” for bookmarking fonts, and an automatic listing of your recently viewed fonts in the sidebar. I do miss the Flash showings, if only because they allowed zooming. Hopefully more detailed viewing will be available in the upcoming revision of their
See also: The Unsung Pen of T.26
Thanks for the feedback, Stephen!
We hope to have the Typesetter up this week, which will indeed allow viewing at larger point sizes. We have also kept the avenue open to reintroduce the Flash elements. There are still a number of wrinkles to iron out, and this is only the beginning.
More critique from the Typographica crowd is more than welcome, especially in matters of font previewing and usability.