- 01.28.12
Ambicase Fatface
Stephen Coles: Celebrating its inclusion on this list, Ambicase Fatface is now 30% off at MyFonts.… - 01.28.12
Chartwell
AndrĂ© Mora: I really like Chartwell and have used it for editorial design. I'm impressed by its ingenuity and excited by what it may insp… - 01.27.12
Sutturah
Marian Bantjes: I love this! My highest compliment: envy.… - 01.27.12
Neue Haas Grotesk
Erik Spiekermann: That, Matthew, is why Helvetica was so successful: nobody except a few Swiss & German designers would have ever dared order t… - 01.27.12
Apple Color Emoji
Christoph: You can find a complete overview of all the Apple Color Emoji characters here. (Works only with Safari. Hover to see Unicode … - 01.26.12
Changing
AndrĂ© Mora: I would love to read a 5,000 word review by Paul Shaw on this typeface. Though something tells me he'd only need 5.… - 01.26.12
Our Favorite Typefaces of 2011
Stephen Coles: Jason Santa Maria just posted a nice summary of highlights from the list.… - 01.26.12
Reina
Marian Bantjes: Whoa. Fantastic!… - 01.26.12
My Favorite Font Sources: A Shortlist of Trusted Foundries and Retailers
Josh Farmer: What about Underware and TypeTogether?…
Copperplate in Washington
Calligrapher Carolyn Behnke will be teaching a course on copperplate calligraphy at the Smithsonian’s S. Dillon Ripley Center next to the Castle in Washington, DC later this Spring. The 8 2.5 hour classes are open to both beginning calligraphers as well as those more experiences, and should give a reasonably in-depth introduction to the technique. Cost for the full eight classes is $235, with a discount for Smithsonian Resident Association Program members.
Unfortunately, the photo on the website shows uncials.