Recently Commented
- 01.29.12
Chartwell
André Mora: I really like Chartwell and have used it for editorial design. I'm impressed by its ingenuity and excited by what it may insp… - 01.29.12
Nassim
Dave Foster: Titus, congratulations for completing this huge project with such care and attention and thank you to Thierry for shining suc… - 01.28.12
Ambicase Fatface
Stephen Coles: Celebrating its inclusion on this list, Ambicase Fatface is now 30% off at MyFonts.… - 01.27.12
Sutturah
Marian Bantjes: I love this! My highest compliment: envy.… - 01.27.12
Neue Haas Grotesk
Erik Spiekermann: That, Matthew, is why Helvetica was so successful: nobody except a few Swiss & German designers would have ever dared order t… - 01.27.12
Apple Color Emoji
Christoph: You can find a complete overview of all the Apple Color Emoji characters here. (Works only with Safari. Hover to see Unicode … - 01.26.12
Changing
André Mora: I would love to read a 5,000 word review by Paul Shaw on this typeface. Though something tells me he'd only need 5.… - 01.26.12
Our Favorite Typefaces of 2011
Stephen Coles: Jason Santa Maria just posted a nice summary of highlights from the list.… - 01.26.12
Reina
Marian Bantjes: Whoa. Fantastic!…
Nice page. But I’m shattered that he didn’t mention this phone diary I once bought that has a couple doing all the letters, naked, underwater – although really quite tastefully, I’m sorry to say…
hhp
we had some funky people do some human-disco lettering at last year’s bad type party – go to stbride.org to see the bad type conference page and then to view the pdf.
I’m glad that this article referenced another on the erotics of type. I read this some time ago when I was doing a google search on Mrs. Eaves. I’ll never look at that gy ligature the same…
You should see the 3D version of Modula Ribbed (in “Dimensional Typography”).
hhp