- 01.28.12
Ambicase Fatface
Stephen Coles: Celebrating its inclusion on this list, Ambicase Fatface is now 30% off at MyFonts.… - 01.28.12
Chartwell
André Mora: I really like Chartwell and have used it for editorial design. I'm impressed by its ingenuity and excited by what it may insp… - 01.27.12
Sutturah
Marian Bantjes: I love this! My highest compliment: envy.… - 01.27.12
Neue Haas Grotesk
Erik Spiekermann: That, Matthew, is why Helvetica was so successful: nobody except a few Swiss & German designers would have ever dared order t… - 01.27.12
Apple Color Emoji
Christoph: You can find a complete overview of all the Apple Color Emoji characters here. (Works only with Safari. Hover to see Unicode … - 01.26.12
Changing
André Mora: I would love to read a 5,000 word review by Paul Shaw on this typeface. Though something tells me he'd only need 5.… - 01.26.12
Our Favorite Typefaces of 2011
Stephen Coles: Jason Santa Maria just posted a nice summary of highlights from the list.… - 01.26.12
Reina
Marian Bantjes: Whoa. Fantastic!… - 01.26.12
My Favorite Font Sources: A Shortlist of Trusted Foundries and Retailers
Josh Farmer: What about Underware and TypeTogether?…
Computational Calligraphy
It sounds boring, but it’s not at all. Ricard Marxer Piñón has been writing programs to manipulate letter forms. The results are on display at www.caligraft.com. You can watch recordings of the programs running online or download the programs and run them on your computer. Most are interactive in some way. I’ve seen Flash-based things like this, but these seem more fluid and complex.
I recommend also checking out the rest of the excellent experiments and sketches from the Processing community. I love this stuff.
Perhaps MEEK is one of the flash based things you mention. Anyway, check it out http://www.robmeek.com/flash_index.php?startPage=0
Very cool.