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Neacademia
Florian Hardwig: Addendum: This review was not even published yet, when Rosetta already announced an update. This new version addresses my few… - 01.30.12
Sutturah
Marian Bantjes: I love this! My highest compliment: envy.… - 01.29.12
Chartwell
AndrĂ© Mora: I really like Chartwell and have used it for editorial design. I'm impressed by its ingenuity and excited by what it may insp… - 01.29.12
Nassim
Dave Foster: Titus, congratulations for completing this huge project with such care and attention and thank you to Thierry for shining suc… - 01.28.12
Ambicase Fatface
Stephen Coles: Celebrating its inclusion on this list, Ambicase Fatface is now 30% off at MyFonts.… - 01.27.12
Neue Haas Grotesk
Erik Spiekermann: That, Matthew, is why Helvetica was so successful: nobody except a few Swiss & German designers would have ever dared order t… - 01.27.12
Apple Color Emoji
Christoph: You can find a complete overview of all the Apple Color Emoji characters here. (Works only with Safari. Hover to see Unicode … - 01.26.12
Changing
AndrĂ© Mora: I would love to read a 5,000 word review by Paul Shaw on this typeface. Though something tells me he'd only need 5.… - 01.26.12
Our Favorite Typefaces of 2011
Stephen Coles: Jason Santa Maria just posted a nice summary of highlights from the list.…
The Cooper Union class starts this summer for $625. Details below the fold.
Cooper Union Continuing Education presents:
Digital type design: Introduction to type design in FontLab Studio v.5
Hannes Famira
9 sessions 6:30–9:30
Tuesday nights May 30 – August 1 (no class July 4)
$625.00 (plus one time non-refundable registration fee of $25.00)The design and production processes of typefaces have significantly changed in the past 20 years. In this hands-on course, Hannes Famira will guide the participants step by step through the different stages of up-to-date font development. The participants will be made familiar with the software application FontLab Studio v.5 by drawing and producing their own functioning digital type faces. The topics covered will be tracing artwork, techniques of perfecting curves, building diacritics as well as the secrets of spacing, kerning and hinting. Participants should have a basic typographic knowledge and some experience in a vector based drawing application such as Adobe Illustrator or Macromedia Freehand.
Hannes Famira studied graphic and typographic design at the Royal Academy of Fine Arts in The Hague, Netherlands. After apprenticeships at Studio Dumbar and the Font Bureau he worked at Meta Design and at the Buro Petr van Blokland. Hannes established his studio Das Kombinat in 1999. He taught type design at the SfG, School for Design in Basel, Switzerland between 2002–’05. He now lives in Brooklyn, NY since summer 2005.
Recommended reading:
The stroke: theory of writing
Gerrit Noordzij
HyphenPress, fall 2005
ISBN 0-906259-30-8For more information and to register, contact:
Cooper Union Continuing Education
41 Cooper Square, NY, NY 10003
212-353-4195
The class will run again this fall. Here’s a personal recommendation from one of Famira’s students.