- 01.28.12
Ambicase Fatface
Stephen Coles: Celebrating its inclusion on this list, Ambicase Fatface is now 30% off at MyFonts.… - 01.28.12
Chartwell
AndrĂ© Mora: I really like Chartwell and have used it for editorial design. I'm impressed by its ingenuity and excited by what it may insp… - 01.27.12
Sutturah
Marian Bantjes: I love this! My highest compliment: envy.… - 01.27.12
Neue Haas Grotesk
Erik Spiekermann: That, Matthew, is why Helvetica was so successful: nobody except a few Swiss & German designers would have ever dared order t… - 01.27.12
Apple Color Emoji
Christoph: You can find a complete overview of all the Apple Color Emoji characters here. (Works only with Safari. Hover to see Unicode … - 01.26.12
Changing
AndrĂ© Mora: I would love to read a 5,000 word review by Paul Shaw on this typeface. Though something tells me he'd only need 5.… - 01.26.12
Our Favorite Typefaces of 2011
Stephen Coles: Jason Santa Maria just posted a nice summary of highlights from the list.… - 01.26.12
Reina
Marian Bantjes: Whoa. Fantastic!… - 01.26.12
My Favorite Font Sources: A Shortlist of Trusted Foundries and Retailers
Josh Farmer: What about Underware and TypeTogether?…
The most striking printed gift I received this holiday season — being Jewish I get gifts a bit earlier than most of you — is the 2009 Rare Book Calendar from 42-line, a Bay Area firm that specializes in “digital publication services” for rare book dealers, libraries and book collectors. This means that 42-line deals with imaging, editing and other services related to the organization and archiving of books, manuscripts, photography, and other types of rare-materials collections.
The Calendar is small and of a non-standard shape — 11 inches tall by 6 inches wide — and would fit fine on a small bulletin board or hanging in even the tightest workspace. The structure, too, is somewhat unorthodox, or at least new to me: six pages have January through June on the front, at which time the calendar is flipped over, and July through December, printed on the rear, are then presented.
While the format is interesting and the typesetting is exceptionally clear (the principal type is Mark van Bronkhorst‘s subtly beautiful MVB Verdigris, one of my favorite text faces of the last several years, and the calendar itself was designed by the type designer), the calendar is really about its illustrations: each month is accompanied by a printed reproduction from an important piece of bibliographic history. January’s Giovanni Battista Ferrari copperplate engraving of an amaryllis is a beautiful example of 17th-century lettering and illustration, and some of them are very funny — Benjamin Warner’s 1821 Tragi-Comic History of the Burial of Cock Robin, for example, and an engraving of a dog taking a very unfortunate swim by the always-surreal William Blake.
I feel like I must have done something to warrant such a nice gift, but I can’t quite remember what it was. It’s available for a mere $10 and is a good introduction to an interesting company.



Thanks for letting us know about this gorgeous calendar, Joshua. Just ordered mine and can’t wait to receive it!
Beautiful–thank you for this tip!
Very desirable, if you — like me — spend too much time at Bibliodyssey
Fantastic link, Fredrik. Thank you!
Really beautiful! Shall have to look at getting one.
Great gift, I would feel really glad to get that too! Congratulations. Hope you use it as much as can in this new year that has arrived with lost of prospect promises. Cheers from New Zealand!