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Beckett
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Typeface Review

A2 Beckett

Reviewed by Mark Simonson, posted on January 25, 2012

At first glance, A2 Beckett feels like a 19th century gothic. The angled stroke endings on some of the characters remind me of the very condensed styles of Venus. But its construction and details give it a very contemporary look. It doesn’t feel “retro.”

I love the lowercase ‘g’. It’s not as common to see a double-storey ‘g’ in a condensed sans serif, and I’m glad to see it has one.

I am a fan of straight-sided, condensed sans serif faces, such as Alternate Gothic, Railroad Gothic, Compacta, Knockout and so on. I think Beckett is a fine addition to the genre.

Mark Simonson is a former art director and graphic designer who now makes his living designing typefaces, several of which can be found at Typographica, including this year’s Bookmania.

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Typographica is a review of typefaces and type books, with occasional commentary on fonts and typographic design. Edited by Stephen Coles, also of Fonts In Use and The Mid-Century Modernist.

Founded in 2002 by Joshua Lurie-Terrell. Relaunched in 2009 by Coles and Chris Hamamoto.

Set in Anchor by Eric Olson, FF Dagny by Örjan Nordling and Göran Söderström, FF Quadraat by Fred Smeijers, and Lucida Sans/Grande by Charles Bigelow and Kris Holmes.

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