- 05.09.13
Library Subscriptions: The Future of Fonts? Shall We Sing or Cry?
Rudy: I think that you forgot one major question: Why would a type designer continue to develop type? Their part of the cake become… - 05.04.13
Roof Kerning in Amsterdam
Matijs van Zuijlen: So, does the current actual placement of the letters match the one in the artist's impression?… - 05.02.13
Instant
Hrant: Instant confuses me… The part of me that loves innovation gets happy looking at it, but the part of me that insists on sober … - 04.26.13
Krul
Tim: I love that a face so decorative is this legible. A very nice achievement.… - 04.16.13
Source Sans
Hrant: There's something I'd like to clear up, although it might essentially be merely a terminological issue: assuming it's true th… - 04.14.13
Roboto is a Four-headed Frankenfont
Christoph: Amazing! Thanks, Stephen. And the fun just never ends.… - 04.09.13
Comenia
Andrew Boardman: A beautiful and extremely usable "superfamily" that I hadn't considered previously. Thanks, Florian, as always.… - 04.09.13
Balkan Sans
Thomas Dang: Interesting concept but it's difficult to read and the kerning leaves something to be desired. I'm certain that it would not … - 04.07.13
The Elements of Typographic Style, Version 4.0
Craig Eliason: Thanks for this well considered and written review. For me, I never considered Bringhurst's book a bible. Among other quirks,… - 03.31.13
JAF Bernini Sans
Hrant: Thanks to Bill Dawson's piece on XK9 I just realized that Bernini is actually a brother-sister twin, with one being more rese… - 03.20.13
Our Favorite Typefaces of 2012
Stephen Coles: Nick Sherman raises good questions about quantity. I think it’s useful to have a discussion about what this list means and wh… - 03.19.13
Turnip
Hrant: I love Turnip, for the magical transformation it performs between display and text, and the wonder it injects into the craft … - 03.18.13
Quintet
Stephen Coles: It’s been over a year since I saw Quintet on the KABK class of 2011 site and I am still amazed by it. It was a monumental ach… - 03.18.13
Colvert
Hrant: I could opine that the Greek is particularly nice, but most of all I think the collective level of sensitive competence in Co… - 03.18.13
Garvis
Hrant: It was great to watch this design grow up, go to college, and get a job! James is a proud dad for sure.…
Christian Palino is a designer and educator living in San Francisco. After years of consulting with IDEO and Adaptive Path for clients ranging from the Department of Health and Human Services to Bonnaroo, he's now the Director of Design at OpenTable. Christian currently teaches Interaction Design at CCA and has previously taught at IUAV University of Venice, Domus Academy, and the Interaction Design Institute Ivrea.
A lot of fonts can emerge from this collection
Do you mean there are 19th-century fonts that remain unavailable because they have not been re-issued? All the type you see on the website from the 1800s (note: no apostrophe needed pace Mr. Forder) is available in metal or digital or both. However, Mr. Forder certainly has a lovely set of paper and he’s to be commended on it. We’re jealous here!
http://www.writtenbyhand.com Manuscript Americana
In fact, hundreds if not thousands of typefaces from the 19th century never really made it to the 20th century.
For instance, in the US, American Type Founders was formed in the late 19th century as a consolidation of dozens of small foundries from around the country. Font libraries were consolidated and typefaces that were considered “obsolete” were dropped. Into the early 20th century ATF’s library was continually pared down partly to make room for new designs, but also so resources were not wasted on faces that had gone into disuse.
It’s true that a great many typefaces from before the 20th century are currently available, but many–possibly the majority–are not.
Also, there are even thousands of typefaces from the 20th century that have never been digitized.
I was suggesting that people could make new fonts based in this samples
> there are even thousands of typefaces
> from the 20th century that have never
> been digitized.
Shshsh! :-/
hhp
Not to mention, shshsh, that many of the faces in the ephemera collection are not “fonts” at all, but hand drawn.
>Shshsh! :-/
I know, I know. Just saying…
Could you give me the name of a typeface in common use by Civil War era newspapers. If you happen to know one used by newspapers in Richmond, that would be terrific. I am writing an historical novel set in Virginia and I like to have my details as accurate as possible. Thank you ever so much.
I am having a stone wall constructed and intend to have bronze letters and numbers set into the mortar. Can anyone tell me what font style would have been used in the 1880′s to early 1900′s? The wall will be in Central Florida and I would would like to make it authentic for that period and geographic region if possible. Thanks