- 06.12.13
Sketching Out of My Comfort Zone: A Type Design Experiment
Bendy: Well written piece, Nina. I like the discovery that your letterforms have to be built from the inside and take shape around "… - 06.07.13
Sodachrome
Hrant: I hadn't noticed that the overlap of the two halves forms a nice "elemental" font! Quite impressive indeed.… - 06.04.13
“Just My Type: A Book about Fonts”
Stephen Coles: As someone who played a small part in this book and even proofed some of the chapters (though not the more historical bits) i… - 06.04.13
My Favorite Font Sources: A Shortlist of Trusted Foundries and Retailers
Josh Farmer: What about Underware and TypeTogether?… - 05.29.13
Dapifer
marian bantjes: I couldn't agree more with what Thomas said on this. I was startled when I came to this page … something pleasingly familiar … - 05.29.13
Typography and Type Design 101: Reading Lists
Joseph Coates: I’m really surprised to not see “Designing Type” by Karen Cheng. It is really a good intro to type design.… - 05.28.13
Library Subscriptions: The Future of Fonts? Shall We Sing or Cry?
Rudy: I think that you forgot one major question: Why would a type designer continue to develop type? Their part of the cake become… - 05.25.13
Taking Your Fonts to Market: Foundry, Reseller, or Go Solo?
Kent Lew: Stephen, I've always appreciated the various iterations of this overview that you've offered. I also appreciate how unbiased … - 05.24.13
Aften Screen
Ian: Aften Screen comes with bold and italic and a separate small caps. I hope that the typeface gets expanded to have bold italic… - 05.04.13
Roof Kerning in Amsterdam
Matijs van Zuijlen: So, does the current actual placement of the letters match the one in the artist's impression?… - 05.02.13
Instant
Hrant: Instant confuses me… The part of me that loves innovation gets happy looking at it, but the part of me that insists on sober … - 04.26.13
Krul
Tim: I love that a face so decorative is this legible. A very nice achievement.… - 04.16.13
Source Sans
Hrant: There's something I'd like to clear up, although it might essentially be merely a terminological issue: assuming it's true th… - 04.14.13
Roboto is a Four-headed Frankenfont
Christoph: Amazing! Thanks, Stephen. And the fun just never ends.… - 04.09.13
Comenia
Andrew Boardman: A beautiful and extremely usable "superfamily" that I hadn't considered previously. Thanks, Florian, as always.…
I am 3/4 of the way through reading this (at the same time as I madly preprare and teach my first class), and it is now littered with post-it notes. As with any collection, there are some great things and some not-so-great things. But a couple of the essays have already influenced what and how I will teach my class (of note: Chris Myers’ “The Value of Narrative in the Education of a Typographer”) and others have been gratifyingly reassuring that I’m doing something right.
I read the book about a month ago. I skipped parts of it. Overall it’s pretty good, my biggest concern/complaint about it is that it fails to make it clear what a “typographer” is. Is it a typeface designer, is it a graphic designer that sets type really really nice, is it a combination of both? Who’s this book for: grpahic designers or typeface designers? (Yes, there is a HUGE difference). Most essays are ambiguous to this, it’s in the interviews where it gets rather iffy.
Other than that, the book is a complete and well-rounded overview like the rest of the series.