- 05.14.12
“Just My Type: A Book about Fonts”
Patrick Barber: I did think about the audience, Meredith. I believe that ordinary Joe Scrapbookers, along with experienced typographers, are … - 05.14.12
An Interview with Cyrus Highsmith
Jelmar: Nice interview. I've read a couple of interviews with Highsmith before, and I like his realistic / rational look on things. … - 05.02.12
Reina
Jackie: I purchased Breathe Pro from MyFonts, and thought that was one of the best I had ever seen, but this really is an exquisite w… - 04.29.12
My Favorite Font Sources: A Shortlist of Trusted Foundries and Retailers
Brittany Nutt: This was very useful. I never realized how many font websites there were. The one I only really new of was Dafont.com. This w… - 04.23.12
Interview: Phil Martin
Nick Shinn: … - 04.10.12
The Average Font
Luke Dorny: This is awesome! Stephen, I'm not sure that you intended it as such, but your brief review of the idea of new glyph overlays … - 04.06.12
Robothon 2012, RoboHint, and the Gerrit Noordzij Prize
Colin M. Ford: Great write up, Dan, and wonderful photos, Tânia!… - 04.03.12
Ain’t What ITC Used to Be
Si: … - 04.02.12
Neue Haas Grotesk
johsahaahr: They probably went with "Die Neue Haas ..." because "Die Sogar Neuer Helvetica" sounded a bit sensational! And then again we …
Body Type by Moulin and Malchaire
Marc Moulin, living legend of the Belgian music scene, has just released his latest album Entertainment. The videoclip for the first single Silver (Who stole the groove?), directed by Didier Malchaire, gives a whole new meaning to the concept “body type”. In the accompanying Electronic Press Kit, the artist explains his love for type, calligraphy, and language, while the Making Of video lets us peek into the process of … well, making the video.
The only thing that bugs me is: how does a self-professed lover of type explain the terrible typography on the CD-covers for his two latest album? Shudder at the sight of horribly disfigured Techno and poorly set Univers Black for Top Secret, and be puzzled by the amateurish quality of the Bodoni used for Entertainment.
The last time I noticed music from Belgium was a couple of decades ago, with Front 242 and other pioneering bands on the so called Belgian Body-music scene.
Coincidence? I should think not.
Enriching, Yves – thanks.
Waffle Music:
When I was in Brussels many years ago I caught a music video on MTV-Europe: it was a newly launched band called dEUS and I really liked them. I bought a CD, and almost got to see them live at the Troubadour (they canceled). They were very Belgian.
hhp
Front 242 has kept putting out kiler music. I recommend their latest Pulse and its EP cousin Still & Raw. Another great Belgian band would be Hooverphonic.
I’m just going to chime in here because I have a deep and abiding love of Belgian music. Hrant mentioned the great semi-dormant Belgian rock band, dEUS, whose records are – with the exception of “my sister = my alarm clock” – brilliant. (“My sister” is only good.) A founding member of the group started another band, called Zita Swoon, whose music is a little bit happier and funkier than dEUS was. One of the members of dEUS, Danny Mommens, along with his squeeze, Els Pynoo, have a great electroclash album out under the name “Vive la Fte”.
In my opinion there is no better Belgian musician than Jacques Brel; he was the alpha. (Zita Swoon would have to be the omega.)
Chester, thanks for the leads!
Brel: I’m not ashamed to say that he’s the only singer who can make me cry. “Ils taient vieux avant que d’tre.”
hhp
Come back Plastic Bertrand, all is forgiven.
Wow, I didn’t even know Moulin was still alive. He used to be in a great band called Placebo (no, not that one), who made the most astounding Mini-Moog based Jazz-Funk, with wild cop-show type horns. I’m glad to know he’s still making music.
Marc Moulin passed away last Friday, Seprember 26th, victim of cancer.