Phil Martin (1922-2005) often claimed that he had designed “400 fonts” during his career. Certainly, those “400 fonts” are associated with his name and it was he who marketed them and is credited for them. It’s also known (by Phil’s own accounts) that he had collaborators.
Recently, I was contacted by one his collaborators, George Thomas. Upon learning that Phil had passed away, George felt it was time to set the record straight and give credit where credit is due. With the help of another Martin collaborator, Roc Mitchell, now in his eighties, he compiled the following list:
Designed by Roc Mitchell and licensed to Alphabet Innovations:
Designed by George Thomas and licensed to Alphabet Innovations:
Designed by George Brian, an employee of Alphabet Innovations:
The rest, to the best of his knowledge, are Phil’s ideas with George Brian doing the art on much of the later works and probably influencing Phil’s ideas.
Mark Simonson is a former art director and graphic designer who now makes his living designing typefaces — several of which are Typographica selections.
This will be tough to send to arbitration, now that Phil’s not around.
I sense a new Lennon/McCartney debate in the making. ;)
Notify me of follow-up comments by email.
Notify me of new posts by email.
Typographica is a review of typefaces and type books, with occasional commentary on fonts and typographic design. Edited by Stephen Coles, also of Fonts In Use and The Mid-Century Modernist.
Founded in 2002 by Joshua Lurie-Terrell. Relaunched in 2009 by Coles and Chris Hamamoto.
Set in Adelle Sans by TypeTogether, Turnip by David Jonathan Ross, and JAF Bernini Sans by Tim Ahrens.
Brought to you by this month’s nameplate sponsor, FontShop, MyFonts, FontFont, Wordpress, and the letter B. Read our editorial policy.
Fonts In Use
Type at work in the real world.
The Anatomy of Type
A book about the finer details of typefaces.
Lettering on vintage cars, appliances, and other objects.
Fleurs Coiffeur Liqueur
Lettering on storefronts.