- 06.12.13
Sketching Out of My Comfort Zone: A Type Design Experiment
Bendy: Well written piece, Nina. I like the discovery that your letterforms have to be built from the inside and take shape around "… - 06.07.13
Sodachrome
Hrant: I hadn't noticed that the overlap of the two halves forms a nice "elemental" font! Quite impressive indeed.… - 06.04.13
“Just My Type: A Book about Fonts”
Stephen Coles: As someone who played a small part in this book and even proofed some of the chapters (though not the more historical bits) i… - 06.04.13
My Favorite Font Sources: A Shortlist of Trusted Foundries and Retailers
Josh Farmer: What about Underware and TypeTogether?… - 05.29.13
Dapifer
marian bantjes: I couldn't agree more with what Thomas said on this. I was startled when I came to this page … something pleasingly familiar … - 05.29.13
Typography and Type Design 101: Reading Lists
Joseph Coates: I’m really surprised to not see “Designing Type” by Karen Cheng. It is really a good intro to type design.… - 05.28.13
Library Subscriptions: The Future of Fonts? Shall We Sing or Cry?
Rudy: I think that you forgot one major question: Why would a type designer continue to develop type? Their part of the cake become… - 05.25.13
Taking Your Fonts to Market: Foundry, Reseller, or Go Solo?
Kent Lew: Stephen, I've always appreciated the various iterations of this overview that you've offered. I also appreciate how unbiased … - 05.24.13
Aften Screen
Ian: Aften Screen comes with bold and italic and a separate small caps. I hope that the typeface gets expanded to have bold italic… - 05.04.13
Roof Kerning in Amsterdam
Matijs van Zuijlen: So, does the current actual placement of the letters match the one in the artist's impression?… - 05.02.13
Instant
Hrant: Instant confuses me… The part of me that loves innovation gets happy looking at it, but the part of me that insists on sober … - 04.26.13
Krul
Tim: I love that a face so decorative is this legible. A very nice achievement.… - 04.16.13
Source Sans
Hrant: There's something I'd like to clear up, although it might essentially be merely a terminological issue: assuming it's true th… - 04.14.13
Roboto is a Four-headed Frankenfont
Christoph: Amazing! Thanks, Stephen. And the fun just never ends.… - 04.09.13
Comenia
Andrew Boardman: A beautiful and extremely usable "superfamily" that I hadn't considered previously. Thanks, Florian, as always.…
Under the perfect marketing copy, “raising the bar”, House Industries has released Neutraface No. 2, a new version of Christian Schwartz’s very popular Neutraface. In my review of the original, I referred to the typeface’s “novelty”. By simply raising Neutraface’s low waist, most of that quaintness is removed in No. 2, moving the whole family (which is completely mixable) toward more versatile, workhorse territory. This release is surely House’s response to seeing so many examples of Neutraface “standardized” by its users.

Also new is an inline version. Who doesn’t love inline type? It so vividly recalls WPA posters and other pre-war hand lettering. There are other heavy, inlined sans serifs like Phosphate, but one with a full family of weights and text cuts to back it up is very appealing.

Designers will find the range of the new Neutraface and its text-going variants accommodating now that the gearbox and suspension are well-sorted. Hedge-threatening understeer will be a thing of the past ;^) The lowercase italics carry current stylistic trends. The fashion industry will love the light and thin weights.
I like inline type so much I’ve made two of them, with two more in the works.
Thanyou Stephen, thankyou House Industries, thankyou Mr. Shwartz and Mr. Neutra.
Thank God! I can admit to being one of those who altered this font more than a few times.
A lovely reworking of a great typeface. While it appears to more closely emulate the extremely popular Gotham, I wonder if the text weight is actually slightly more legible. And I love the thin and light weights of No. 2.
Correction, Thank you Mr. “Schwartz”.
I wonder the same thing about the text weight Andrew. At any rate it should give Gotham a run for its money.
It is interesting that Christian Schwartz has now produced two alternate versions of his popular faces, both of which remove their more unusual features. He explains on his site that he has also produced an Amplitude Headline which removes the traps from Amplitude. Was this due to demand from the market place?
The short answer is yes. People were making their own versions of Neutraface with raised crossbars, so there was clearly demand for it, and I wanted to do it properly if it was going to be done. But with Neutraface No. 2, I also wanted to take the opportunity to take the family in another direction, which we had considered exploring in the very beginning but chose not to. I finally got around to putting up some additional details on my site.
I for one would really like a bolder weight of Neutraface, versions one AND two, that includes both upper and lowercase characters. The bold weight as drawn is nice but doesn’t seem bold enough for some uses. The inline is great.
Rob – you can’t go much bolder with a lowercase of this size without clogging the counters or significantly changing the character of the design. There is a Titling version with a extra heavy uppercase.