- 05.09.13
Library Subscriptions: The Future of Fonts? Shall We Sing or Cry?
Rudy: I think that you forgot one major question: Why would a type designer continue to develop type? Their part of the cake become… - 05.04.13
Roof Kerning in Amsterdam
Matijs van Zuijlen: So, does the current actual placement of the letters match the one in the artist's impression?… - 05.02.13
Instant
Hrant: Instant confuses me… The part of me that loves innovation gets happy looking at it, but the part of me that insists on sober … - 04.26.13
Krul
Tim: I love that a face so decorative is this legible. A very nice achievement.… - 04.16.13
Source Sans
Hrant: There's something I'd like to clear up, although it might essentially be merely a terminological issue: assuming it's true th… - 04.14.13
Roboto is a Four-headed Frankenfont
Christoph: Amazing! Thanks, Stephen. And the fun just never ends.… - 04.09.13
Comenia
Andrew Boardman: A beautiful and extremely usable "superfamily" that I hadn't considered previously. Thanks, Florian, as always.… - 04.09.13
Balkan Sans
Thomas Dang: Interesting concept but it's difficult to read and the kerning leaves something to be desired. I'm certain that it would not … - 04.07.13
The Elements of Typographic Style, Version 4.0
Craig Eliason: Thanks for this well considered and written review. For me, I never considered Bringhurst's book a bible. Among other quirks,… - 03.31.13
JAF Bernini Sans
Hrant: Thanks to Bill Dawson's piece on XK9 I just realized that Bernini is actually a brother-sister twin, with one being more rese… - 03.20.13
Our Favorite Typefaces of 2012
Stephen Coles: Nick Sherman raises good questions about quantity. I think it’s useful to have a discussion about what this list means and wh… - 03.19.13
Turnip
Hrant: I love Turnip, for the magical transformation it performs between display and text, and the wonder it injects into the craft … - 03.18.13
Quintet
Stephen Coles: It’s been over a year since I saw Quintet on the KABK class of 2011 site and I am still amazed by it. It was a monumental ach… - 03.18.13
Colvert
Hrant: I could opine that the Greek is particularly nice, but most of all I think the collective level of sensitive competence in Co… - 03.18.13
Garvis
Hrant: It was great to watch this design grow up, go to college, and get a job! James is a proud dad for sure.…
An open call for fleuron submissions issued in early January met with tremendous response. More than 220 designers worldwide – from the biggest names to student groups – submitted over 400 glyphs for Fleurons of Hope, which is now available for sale at MyFonts. Fleurons of Hope will also be bundled with the Building Letters: Tsunami Edition – a magazine and CD of fonts donated by major foundries and independent designers. This third edition of the charity publication is scheduled for availability in late March in a limited run of 1,000 copies.
Earlier this year, the typographic community united in another fundraising effort for Font Aid III. Thirty-five type foundries agreed to donate proceeds from sales of their top-selling fonts through MyFonts from mid-January through February 14. The Font Aid III “umbrella foundry” raised more than $12,600 from font sales during the target period.
Proceeds from sales of Fleurons of Hope, Building Letters, and the Font Aid III multi-foundry effort will be donated to tsunami relief efforts. SOTA is acting as a non-partisan organizing body to ensure that all funds are distributed appropriately.
We would like to thank everyone who has participated in Font Aid III – the show of support has been nothing short of inspiring. We can and do make a difference in this world, and Font Aid is but one example of how we can help those less fortunate than we are.
More information is available on the Font Aid website or by emailing info@typesociety.org.
[...] submitted designs to Font Aid IV. This surpasses the number of submissions for the previous Font Aid III project by almost 180. Many of the ampersands could be previewed on [...]