- 05.09.13
Library Subscriptions: The Future of Fonts? Shall We Sing or Cry?
Rudy: I think that you forgot one major question: Why would a type designer continue to develop type? Their part of the cake become… - 05.04.13
Roof Kerning in Amsterdam
Matijs van Zuijlen: So, does the current actual placement of the letters match the one in the artist's impression?… - 05.02.13
Instant
Hrant: Instant confuses me… The part of me that loves innovation gets happy looking at it, but the part of me that insists on sober … - 04.26.13
Krul
Tim: I love that a face so decorative is this legible. A very nice achievement.… - 04.16.13
Source Sans
Hrant: There's something I'd like to clear up, although it might essentially be merely a terminological issue: assuming it's true th… - 04.14.13
Roboto is a Four-headed Frankenfont
Christoph: Amazing! Thanks, Stephen. And the fun just never ends.… - 04.09.13
Comenia
Andrew Boardman: A beautiful and extremely usable "superfamily" that I hadn't considered previously. Thanks, Florian, as always.… - 04.09.13
Balkan Sans
Thomas Dang: Interesting concept but it's difficult to read and the kerning leaves something to be desired. I'm certain that it would not … - 04.07.13
The Elements of Typographic Style, Version 4.0
Craig Eliason: Thanks for this well considered and written review. For me, I never considered Bringhurst's book a bible. Among other quirks,… - 03.31.13
JAF Bernini Sans
Hrant: Thanks to Bill Dawson's piece on XK9 I just realized that Bernini is actually a brother-sister twin, with one being more rese… - 03.20.13
Our Favorite Typefaces of 2012
Stephen Coles: Nick Sherman raises good questions about quantity. I think it’s useful to have a discussion about what this list means and wh… - 03.19.13
Turnip
Hrant: I love Turnip, for the magical transformation it performs between display and text, and the wonder it injects into the craft … - 03.18.13
Quintet
Stephen Coles: It’s been over a year since I saw Quintet on the KABK class of 2011 site and I am still amazed by it. It was a monumental ach… - 03.18.13
Colvert
Hrant: I could opine that the Greek is particularly nice, but most of all I think the collective level of sensitive competence in Co… - 03.18.13
Garvis
Hrant: It was great to watch this design grow up, go to college, and get a job! James is a proud dad for sure.…
That’s why nothing can bring a type designer more joy, once his font is released, than to see it used well. Even more exciting is to see it used in ways he never expected.
I can imagine Stefan Hattenbach beaming with such joy last month when he saw his typeface on TV. With their delicious ads for Carte D’Or, McCann Erickson has made Stefan’s Oxtail the spokesfont for specialty ice cream. Concurrently, nothing could be a better promotion for the font itself. See one of the spots below — and more at Stefan’s foundry site, MAC Rhino.
Quicktime video — 3.3MB, 30 sec. — click on chocolatey image to play
See also: Hattenbach’s Rhino is Loose
For a type designer, the release of a font is a very heady moment. After hundreds of hours of work, carefully fine-tuning each curve and kern, he releases his baby into the wild, to be grabbed and used by graphic designers at any skill level. At that moment, he relinquishes all control of his creation. It will be stretched, squashed, beveled, mechanically obliqued, and adorned with ill-advised strokes, filters, and drop shadows. It will likely be used to advertise products or ideas the type designer deplores.
Stephen,
Thanks a bunch for mention this story. And yes I’m very happy with the execution of course. Btw for those who wonder… the other film on my site, is to be found in the news section.
Cheers
Wow, what a great spot. Type-centric and very, very well matched.
I’m going to go eat chocolate ice cream and flip through specimen books now. Nice type, Stefan.
What Macintosh applications would be best used to create stunning motion-graphics Type-treatments like that? I am working on a a project that requires some elegant, subtle movement and precise placement of text in conjuction with music and video and I can’t seem to find a sophisticated solution.
ANy ideas?
I used to use Adobe After Effects for that kind of thing. Not sure if it’s still the standard (it’s been about 4 years since I did any kinetic type).
KC!
I think that Motion might be what you are looking for.
http://www.apple.com/finalcutstudio/motion/
I have a feeling that both of those programs are probably similarly great! Thank you. I have tried After Effects (both v3 and a demo 6.5) and although I am an Adobe-junkie, cannot seem to figure out how to use it. Therefore, I am going to try and find a demo copy of Motion and try my luck at that.
Thanks. Any other suggestions would be great… oh, and I forgot to comment: Oxtail is a WONDERFULLY delicious typeface, BTW.
There’s a trial version of Motion available for download here:
http://www.apple.com/motion/trial/
The app works best with a very high-end graphics card, as it really works that GPU. It doesn’t hurt to have a fast CPU and lots of RAM either.
-Z