- 05.25.13
Taking Your Fonts to Market: Foundry, Reseller, or Go Solo?
Kent Lew: Stephen, I've always appreciated the various iterations of this overview that you've offered. I also appreciate how unbiased … - 05.24.13
Aften Screen
Ian: Aften Screen comes with bold and italic and a separate small caps. I hope that the typeface gets expanded to have bold italic… - 05.13.13
Library Subscriptions: The Future of Fonts? Shall We Sing or Cry?
Rudy: I think that you forgot one major question: Why would a type designer continue to develop type? Their part of the cake become… - 05.04.13
Roof Kerning in Amsterdam
Matijs van Zuijlen: So, does the current actual placement of the letters match the one in the artist's impression?… - 05.02.13
Instant
Hrant: Instant confuses me… The part of me that loves innovation gets happy looking at it, but the part of me that insists on sober … - 04.26.13
Krul
Tim: I love that a face so decorative is this legible. A very nice achievement.… - 04.16.13
Source Sans
Hrant: There's something I'd like to clear up, although it might essentially be merely a terminological issue: assuming it's true th… - 04.14.13
Roboto is a Four-headed Frankenfont
Christoph: Amazing! Thanks, Stephen. And the fun just never ends.… - 04.09.13
Comenia
Andrew Boardman: A beautiful and extremely usable "superfamily" that I hadn't considered previously. Thanks, Florian, as always.… - 04.09.13
Balkan Sans
Thomas Dang: Interesting concept but it's difficult to read and the kerning leaves something to be desired. I'm certain that it would not … - 04.07.13
The Elements of Typographic Style, Version 4.0
Craig Eliason: Thanks for this well considered and written review. For me, I never considered Bringhurst's book a bible. Among other quirks,… - 03.31.13
JAF Bernini Sans
Hrant: Thanks to Bill Dawson's piece on XK9 I just realized that Bernini is actually a brother-sister twin, with one being more rese… - 03.20.13
Our Favorite Typefaces of 2012
Stephen Coles: Nick Sherman raises good questions about quantity. I think it’s useful to have a discussion about what this list means and wh… - 03.19.13
Turnip
Hrant: I love Turnip, for the magical transformation it performs between display and text, and the wonder it injects into the craft … - 03.18.13
Quintet
Stephen Coles: It’s been over a year since I saw Quintet on the KABK class of 2011 site and I am still amazed by it. It was a monumental ach…
{Copy from JF’s site.}
The 7Up one is really great! They’ve really struck a great balance of compromises: since Arabic reads right-to-left, and they didn’t want people to say “sab’a ap”*, plus they wanted to preserve the “7″ shape**, so they composed the seven of Arabic letters which read “ap”! They even have the little hamza in the aleph, which not only avoids the reading of “aap”, but better identifies the stick as the letter aleph. Bjannin!
* Which would also have forced the numeral shape to end up on the right side instead of the left.
** The Arabic seven doesn’t look like that (although everybody will know how to read the Latin numerals).
As for the Virgin one, I actually thought it was cool, although I don’t have Nadine’s expertise.
hhp
More comments by Nadine Chahine on images will be done in couple of hours. We just finished the workshop yesterday night and had great fun at night and no free time yet.
There was an interesting article on STEP magazine (I think) a few months ago about an identity that Margo Chase did for a lingerie store in Saudi Arabia. I found the article on LogoLounge, most of the images are missing but it’s a good read.
Hello.
I belive this is my first post here, hi! :-)
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This thread reminds me of a imo, very successful translation, the Carlsberg logo (link shows excerpt from Per Mollerup’s ‘Marks of Excellence’).
I would also like to share a photo of some Thai Pepsi bottles.
I think these successful beverage label translations proves how important strong branding is to these kind of high consumption retail products. However, you can question how good the Pepsi branding continuity is when you are served three different bottles, all with individual designs at one restaurant :-)
We posted more comments about typeforms. See also that related article about the workshop.
It conserns not only Arabic. And you should also apply cross-cultural understanding.