- 05.09.13
Library Subscriptions: The Future of Fonts? Shall We Sing or Cry?
Rudy: I think that you forgot one major question: Why would a type designer continue to develop type? Their part of the cake become… - 05.04.13
Roof Kerning in Amsterdam
Matijs van Zuijlen: So, does the current actual placement of the letters match the one in the artist's impression?… - 05.02.13
Instant
Hrant: Instant confuses me… The part of me that loves innovation gets happy looking at it, but the part of me that insists on sober … - 04.26.13
Krul
Tim: I love that a face so decorative is this legible. A very nice achievement.… - 04.16.13
Source Sans
Hrant: There's something I'd like to clear up, although it might essentially be merely a terminological issue: assuming it's true th… - 04.14.13
Roboto is a Four-headed Frankenfont
Christoph: Amazing! Thanks, Stephen. And the fun just never ends.… - 04.09.13
Comenia
Andrew Boardman: A beautiful and extremely usable "superfamily" that I hadn't considered previously. Thanks, Florian, as always.… - 04.09.13
Balkan Sans
Thomas Dang: Interesting concept but it's difficult to read and the kerning leaves something to be desired. I'm certain that it would not … - 04.07.13
The Elements of Typographic Style, Version 4.0
Craig Eliason: Thanks for this well considered and written review. For me, I never considered Bringhurst's book a bible. Among other quirks,… - 03.31.13
JAF Bernini Sans
Hrant: Thanks to Bill Dawson's piece on XK9 I just realized that Bernini is actually a brother-sister twin, with one being more rese… - 03.20.13
Our Favorite Typefaces of 2012
Stephen Coles: Nick Sherman raises good questions about quantity. I think it’s useful to have a discussion about what this list means and wh… - 03.19.13
Turnip
Hrant: I love Turnip, for the magical transformation it performs between display and text, and the wonder it injects into the craft … - 03.18.13
Quintet
Stephen Coles: It’s been over a year since I saw Quintet on the KABK class of 2011 site and I am still amazed by it. It was a monumental ach… - 03.18.13
Colvert
Hrant: I could opine that the Greek is particularly nice, but most of all I think the collective level of sensitive competence in Co… - 03.18.13
Garvis
Hrant: It was great to watch this design grow up, go to college, and get a job! James is a proud dad for sure.…
The Cooper Union class starts this summer for $625. Details below the fold.
Cooper Union Continuing Education presents:
Digital type design: Introduction to type design in FontLab Studio v.5
Hannes Famira
9 sessions 6:30–9:30
Tuesday nights May 30 – August 1 (no class July 4)
$625.00 (plus one time non-refundable registration fee of $25.00)The design and production processes of typefaces have significantly changed in the past 20 years. In this hands-on course, Hannes Famira will guide the participants step by step through the different stages of up-to-date font development. The participants will be made familiar with the software application FontLab Studio v.5 by drawing and producing their own functioning digital type faces. The topics covered will be tracing artwork, techniques of perfecting curves, building diacritics as well as the secrets of spacing, kerning and hinting. Participants should have a basic typographic knowledge and some experience in a vector based drawing application such as Adobe Illustrator or Macromedia Freehand.
Hannes Famira studied graphic and typographic design at the Royal Academy of Fine Arts in The Hague, Netherlands. After apprenticeships at Studio Dumbar and the Font Bureau he worked at Meta Design and at the Buro Petr van Blokland. Hannes established his studio Das Kombinat in 1999. He taught type design at the SfG, School for Design in Basel, Switzerland between 2002–’05. He now lives in Brooklyn, NY since summer 2005.
Recommended reading:
The stroke: theory of writing
Gerrit Noordzij
HyphenPress, fall 2005
ISBN 0-906259-30-8For more information and to register, contact:
Cooper Union Continuing Education
41 Cooper Square, NY, NY 10003
212-353-4195
The class will run again this fall. Here’s a personal recommendation from one of Famira’s students.