A lot of design books have hit the shelves in the last month, but of all those I’ve read, only a few in particular really resonated with me. Most of what has appeared recently has really been pretty mediocre. Here are a few highlights from the shrinking field of stuff worth reading:
Stephen Hogbin’s Appearance and Reality: A Visual Handbook for Artists, Designers, and Makers, originally published in 2000 and recently reprinted, is one of those manuals where a visual artist or designer has tried to organize a consistent system for applying creative ideas to the generation of product. Unlike so many similar attempts, Hogbin’s system — grouped around the four key disciplines of art, craft/technology, science and design — is flexible enough not to see the disciplines or the creative process as a zero-sum equation. It’s a broad approach that focuses on illustrating how both fine artists and commercial designers can create work with integrity and social conscience, and succeeds on a number of levels.
David Jury’s Letterpress: The Allure of the Handmade is a big and beautiful book from the editor of TypoGraphic, the ISTD‘s journal. Jury offers insight into the continued (and in some places growing) popularity of letterpress techniques, and investigates how they have been adapted to work in tandem with digital typesetting. Mostly, though, the book is great for its wonderful pictures of great work from around the world, and is a must-read for anyone even slightly interested in contemporary letterpress work.
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Typographica is a review of typefaces and type books, with occasional commentary on fonts and typographic design. Edited by Stephen Coles and designed by Chris Hamamoto. Founded in 2002 by Joshua Lurie-Terrell. Relaunched in 2009 by Coles and Hamamoto.
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Fonts In Use
Type at work in the real world.
The Anatomy of Type
A book by the editor of Typographica about the finer details of typefaces.
Lettering on vintage cars, appliances, and other objects.
Fleurs Coiffeur Liqueur
Lettering on storefronts.