- 05.09.13
Library Subscriptions: The Future of Fonts? Shall We Sing or Cry?
Rudy: I think that you forgot one major question: Why would a type designer continue to develop type? Their part of the cake become… - 05.04.13
Roof Kerning in Amsterdam
Matijs van Zuijlen: So, does the current actual placement of the letters match the one in the artist's impression?… - 05.02.13
Instant
Hrant: Instant confuses me… The part of me that loves innovation gets happy looking at it, but the part of me that insists on sober … - 04.26.13
Krul
Tim: I love that a face so decorative is this legible. A very nice achievement.… - 04.16.13
Source Sans
Hrant: There's something I'd like to clear up, although it might essentially be merely a terminological issue: assuming it's true th… - 04.14.13
Roboto is a Four-headed Frankenfont
Christoph: Amazing! Thanks, Stephen. And the fun just never ends.… - 04.09.13
Comenia
Andrew Boardman: A beautiful and extremely usable "superfamily" that I hadn't considered previously. Thanks, Florian, as always.… - 04.09.13
Balkan Sans
Thomas Dang: Interesting concept but it's difficult to read and the kerning leaves something to be desired. I'm certain that it would not … - 04.07.13
The Elements of Typographic Style, Version 4.0
Craig Eliason: Thanks for this well considered and written review. For me, I never considered Bringhurst's book a bible. Among other quirks,… - 03.31.13
JAF Bernini Sans
Hrant: Thanks to Bill Dawson's piece on XK9 I just realized that Bernini is actually a brother-sister twin, with one being more rese… - 03.20.13
Our Favorite Typefaces of 2012
Stephen Coles: Nick Sherman raises good questions about quantity. I think it’s useful to have a discussion about what this list means and wh… - 03.19.13
Turnip
Hrant: I love Turnip, for the magical transformation it performs between display and text, and the wonder it injects into the craft … - 03.18.13
Quintet
Stephen Coles: It’s been over a year since I saw Quintet on the KABK class of 2011 site and I am still amazed by it. It was a monumental ach… - 03.18.13
Colvert
Hrant: I could opine that the Greek is particularly nice, but most of all I think the collective level of sensitive competence in Co… - 03.18.13
Garvis
Hrant: It was great to watch this design grow up, go to college, and get a job! James is a proud dad for sure.…
Today, the International House of Fonts (IHOF) fills that void with the release of their own P22 Bifur. Rich Kegler’s creation includes six fonts with layerable sets of wide lines, fine lines, and solid overlays. He took it a step further and added a lowercase that complements Cassandre’s initials surprisingly well.

IHOF (supposedly the daughter of P22, but I’m having trouble distinguishing the two labels lately) also announced another multilayered revival: Durer Caps, again an alphabet that was previously only available via less serious renditions (Duerer Latin, Codex, Hands On Albrecht).
See also: Anisette : Applied Geometry of Albrecht Dürer : De Symmetria
Finally! Great going, Richard.
One thing I don’t get is why the lc is featured so timidly. It’s a big deal, to me at least.
hhp
I loved pages 2-4 of the PDF specimen. :)Thanks guys I needed a laugh today.
I love the Bifur numbers. Now, would those be original?
(As for humour, I’m partial to the last page of the PDF.)
nice. must remember, ‘bifur is not a screen font’.
love the two-tone thing, and the lc is great, very sympathethic.
Ha! This is fantastic, I was just looking for Bifur a week or two ago. Thanks for the news.
Thanks!
Bifur numbers. Now, would those be original?
The UC, figures and some punctuation are all from Cassandre’s original.
The phrase “THIS IS NOT THE WAY TO USE BIFUR” is borrowed from the original Bifur specimen booklet.
The lc was a challenge and I understand why Cassandre didn’t create one. If you want to have a look at the full character set, you can try it out (a little bit at a time) on the TypeCaster™. We may re-work the PDF specimen to show the lc to better effect.
Wow! Dürer caps was designed by a designer from Liechtenstein… how cool is that?
Really nice! Those lowercase are very nicely done. Richard is this available in OpenType? Will it be?
Opentype doesn’t matter. It is really cool. Anything that reminds me of this time period has my vote when revitalized in such a way.
OpenType…not too soon. We will be releasing our first OpenType fonts soon, but not for Bifur…unless the masses cry out for such a thing.