- 05.25.13
Taking Your Fonts to Market: Foundry, Reseller, or Go Solo?
Kent Lew: Stephen, I've always appreciated the various iterations of this overview that you've offered. I also appreciate how unbiased … - 05.24.13
Aften Screen
Ian: Aften Screen comes with bold and italic and a separate small caps. I hope that the typeface gets expanded to have bold italic… - 05.13.13
Library Subscriptions: The Future of Fonts? Shall We Sing or Cry?
Rudy: I think that you forgot one major question: Why would a type designer continue to develop type? Their part of the cake become… - 05.04.13
Roof Kerning in Amsterdam
Matijs van Zuijlen: So, does the current actual placement of the letters match the one in the artist's impression?… - 05.02.13
Instant
Hrant: Instant confuses me… The part of me that loves innovation gets happy looking at it, but the part of me that insists on sober … - 04.26.13
Krul
Tim: I love that a face so decorative is this legible. A very nice achievement.… - 04.16.13
Source Sans
Hrant: There's something I'd like to clear up, although it might essentially be merely a terminological issue: assuming it's true th… - 04.14.13
Roboto is a Four-headed Frankenfont
Christoph: Amazing! Thanks, Stephen. And the fun just never ends.… - 04.09.13
Comenia
Andrew Boardman: A beautiful and extremely usable "superfamily" that I hadn't considered previously. Thanks, Florian, as always.… - 04.09.13
Balkan Sans
Thomas Dang: Interesting concept but it's difficult to read and the kerning leaves something to be desired. I'm certain that it would not … - 04.07.13
The Elements of Typographic Style, Version 4.0
Craig Eliason: Thanks for this well considered and written review. For me, I never considered Bringhurst's book a bible. Among other quirks,… - 03.31.13
JAF Bernini Sans
Hrant: Thanks to Bill Dawson's piece on XK9 I just realized that Bernini is actually a brother-sister twin, with one being more rese… - 03.20.13
Our Favorite Typefaces of 2012
Stephen Coles: Nick Sherman raises good questions about quantity. I think it’s useful to have a discussion about what this list means and wh… - 03.19.13
Turnip
Hrant: I love Turnip, for the magical transformation it performs between display and text, and the wonder it injects into the craft … - 03.18.13
Quintet
Stephen Coles: It’s been over a year since I saw Quintet on the KABK class of 2011 site and I am still amazed by it. It was a monumental ach…
The Swedish foundry Fountain has released a few very good typefaces in the past few years including Eason, and the swashy Gábor Kóthay blockbusters Zanzibar and Incognito. Proprietor Peter Bruhn’s chops have matured since he first launched Fountain in 1993, but he hasn’t released a retail typeface of his own in several years, focusing instead on proprietary commissions and working with other designers on their fonts.
Fortunately, this is about to change very soon if Bruhn’s blog is any indication. In recent weeks he has given us a sneak peek at typefaces in progress. There’s a script in the spirit of Aldo Novarese’s Fluidum, two revisions of his Corpus Gothic, a strong book typeface called Adrian, a woody grotesque, and a Didot, as seen above, that pushes the boundaries of classic type in the same way that Tom Caranase and Ed Benguiat did in the ’60s–’70s. I don’t think anyone has ever tried a ‘g’ quite like this, though. Marvelous.
Great to see Peter cranking up the font engine. I must express my concern however. I fear Peter may be struggling through a strong bout of Type Design ADD, a disease I’m all too familiar with. Now that he’s given us this collosal tease of tasty type treats, Lotta must chain him to his desk in the dungeon until he finishes.
Best wishes for very long, very cold winter in sweden! Can’t wait for spring.
Two words: Duck Tape :)
Nice. Speaking of the “g”, Peter is in fact the author
of the best Baskerville “g” yet made – no mean feat.
hhp
It feels much better now that Randy diagnosed me.
Now I know it’s not my fault, it’s a disease.
Is laziness a desease too?
OK, since Stephen decided to kick my butt off the lazy couch — I’m working on making type design schedules for myself now, that I have to follow no matter what.
Hrant: I can’t take credit for that ‘g’ — it’s all Lars Bergquist’s.
Ooh. I’d hang it on my wall.
“g” is for groovy, and this is one groovy “g”.
Yum!
Schedule. Ha!
In my professional opinion, yes, laziness is also a disease. You poor man: with two conflicting diseases it must be like drinking a beer and chasing it with a cup of coffee. Even though it’s not your fault, you still must finish…
It’s for the good of the children.
Nice work as always. How about South? Any idea when that one will be available?
I don’t really like the ‘g’. Mainly due to the middle part.
Chris: South will be available. I just need to make some fixes.
Korodzik: I understand — the middle part is not for everyone.
Really a new strange but beautiful “g”
It looks like a “g”, I saw on a Lubalin Poster
Hello, is the g-Didot available yet?
thx
micki z