- 05.09.13
Library Subscriptions: The Future of Fonts? Shall We Sing or Cry?
Rudy: I think that you forgot one major question: Why would a type designer continue to develop type? Their part of the cake become… - 05.04.13
Roof Kerning in Amsterdam
Matijs van Zuijlen: So, does the current actual placement of the letters match the one in the artist's impression?… - 05.02.13
Instant
Hrant: Instant confuses me… The part of me that loves innovation gets happy looking at it, but the part of me that insists on sober … - 04.26.13
Krul
Tim: I love that a face so decorative is this legible. A very nice achievement.… - 04.16.13
Source Sans
Hrant: There's something I'd like to clear up, although it might essentially be merely a terminological issue: assuming it's true th… - 04.14.13
Roboto is a Four-headed Frankenfont
Christoph: Amazing! Thanks, Stephen. And the fun just never ends.… - 04.09.13
Comenia
Andrew Boardman: A beautiful and extremely usable "superfamily" that I hadn't considered previously. Thanks, Florian, as always.… - 04.09.13
Balkan Sans
Thomas Dang: Interesting concept but it's difficult to read and the kerning leaves something to be desired. I'm certain that it would not … - 04.07.13
The Elements of Typographic Style, Version 4.0
Craig Eliason: Thanks for this well considered and written review. For me, I never considered Bringhurst's book a bible. Among other quirks,… - 03.31.13
JAF Bernini Sans
Hrant: Thanks to Bill Dawson's piece on XK9 I just realized that Bernini is actually a brother-sister twin, with one being more rese… - 03.20.13
Our Favorite Typefaces of 2012
Stephen Coles: Nick Sherman raises good questions about quantity. I think it’s useful to have a discussion about what this list means and wh… - 03.19.13
Turnip
Hrant: I love Turnip, for the magical transformation it performs between display and text, and the wonder it injects into the craft … - 03.18.13
Quintet
Stephen Coles: It’s been over a year since I saw Quintet on the KABK class of 2011 site and I am still amazed by it. It was a monumental ach… - 03.18.13
Colvert
Hrant: I could opine that the Greek is particularly nice, but most of all I think the collective level of sensitive competence in Co… - 03.18.13
Garvis
Hrant: It was great to watch this design grow up, go to college, and get a job! James is a proud dad for sure.…
It’s hard not to think of Susan Kare when I see these. Perhaps her work was an influence.
Is anybody else disappointed?
hhp
Both works are wicked! Both are a complete collention of usable symbols. But, i see big differences in your styles and angles. For example, one of them is smoooth, and the oder is more “no alias” style.
Is anybody else disappointed?
I am a bit disappointed. Emigre‘s work is usually more, I don’t know, different. Now we’ve got a 777-member pictogram family. Yippy Skippy, just what I want!
Although, the breadth of the project does seem remarkably Emigre-like, even if the content does not.
The world is not static and Emigre have the right to be different! Its a good sign. Glad that they are far away from Emperor and others earlier bitmaps families. They bring many gems along their long career.
But yes, I’m bit surprised too by the non-style of theses pictograms.
>Is anybody else disappointed?
Not really, as I have never had great expectations of pictograms. But I see what you mean, and this project, though current, prolific, and useful in its content matter, is somewhat flat stylistically, treading no new ground from the FF Dingbats of 10 years ago.
Another thing that makes it seem old fashioned is that a ghastly toon-ism has afflicted icon-making in recent years, with excessive detail, multi-colors, and dimensionalization, so Poppi’s austerity of rendering, while it makes all kinds of sense to purists, may have to wait for the pendulum to swing back. Let’s hope utility wins out over flashiness, though, and this is a great success!
whatever anybody thinks about the style and quality, Poppi is gonna sell like crazy, i’m sure!
> Emigre have the right to be different!
Different than what? This isn’t really different than other font houses – quite the contrary – this is something that could have come from a number of other places. This is just different than Emigre itself! I’ve had high expectations of them since their recent return to type, and I think they did much better with Tribute for example.
> Poppi is gonna sell like crazy
Exactly.
hhp
It’s a nice exercise, but I don’t have any practical need for such a set. I’m more interested in icons specifically designed for GUI, such as these from CSA Design alum Paul Howalt:
> It’s a nice exercise, but I don’t have any practical need for such a set.
I was just thinking that it would be really cool if they sold each icon separately. Sure, it would be a pain in the ass, but I’d be more likely to buy one that I really needed for $20-30 than pay a higher amount and end up with a bunch of icons that I might not use.
Other than that, I really like the set. It has an oxymoronic wicked innocence to it.
I got a pretty good laugh at the “censored” type specimen they sent in the mail.