- 06.12.13
Sketching Out of My Comfort Zone: A Type Design Experiment
Bendy: Well written piece, Nina. I like the discovery that your letterforms have to be built from the inside and take shape around "… - 06.07.13
Sodachrome
Hrant: I hadn't noticed that the overlap of the two halves forms a nice "elemental" font! Quite impressive indeed.… - 06.04.13
“Just My Type: A Book about Fonts”
Stephen Coles: As someone who played a small part in this book and even proofed some of the chapters (though not the more historical bits) i… - 06.04.13
My Favorite Font Sources: A Shortlist of Trusted Foundries and Retailers
Josh Farmer: What about Underware and TypeTogether?… - 05.29.13
Dapifer
marian bantjes: I couldn't agree more with what Thomas said on this. I was startled when I came to this page … something pleasingly familiar … - 05.29.13
Typography and Type Design 101: Reading Lists
Joseph Coates: I’m really surprised to not see “Designing Type” by Karen Cheng. It is really a good intro to type design.… - 05.28.13
Library Subscriptions: The Future of Fonts? Shall We Sing or Cry?
Rudy: I think that you forgot one major question: Why would a type designer continue to develop type? Their part of the cake become… - 05.25.13
Taking Your Fonts to Market: Foundry, Reseller, or Go Solo?
Kent Lew: Stephen, I've always appreciated the various iterations of this overview that you've offered. I also appreciate how unbiased … - 05.24.13
Aften Screen
Ian: Aften Screen comes with bold and italic and a separate small caps. I hope that the typeface gets expanded to have bold italic… - 05.04.13
Roof Kerning in Amsterdam
Matijs van Zuijlen: So, does the current actual placement of the letters match the one in the artist's impression?… - 05.02.13
Instant
Hrant: Instant confuses me… The part of me that loves innovation gets happy looking at it, but the part of me that insists on sober … - 04.26.13
Krul
Tim: I love that a face so decorative is this legible. A very nice achievement.… - 04.16.13
Source Sans
Hrant: There's something I'd like to clear up, although it might essentially be merely a terminological issue: assuming it's true th… - 04.14.13
Roboto is a Four-headed Frankenfont
Christoph: Amazing! Thanks, Stephen. And the fun just never ends.… - 04.09.13
Comenia
Andrew Boardman: A beautiful and extremely usable "superfamily" that I hadn't considered previously. Thanks, Florian, as always.…
When I lived in London (1970-74), I saw an etching by Bracelli that showed angels flying around to create the Alphabet. I wondered if humans could do that; and inasmuch as my studio was right next door to the Covent Garden Dance Centre, I asked some pals there if they’d like to try. “Sure”, they said.

Giovanni Batista Bracelli’s “Alfabeto Figurato”. Image courtesy Giornale Nuovo.
A couple of rehearsals and two days later we had it. No one got paid. It was just a high-spirited valentine for the eye, but when I realized it might be the first photographic freestanding human typeface ever (it was), I tried for a while to make a coffee table-type book out of it. New York publishers were afraid that the pubes and the Z might offend someone. This was in 1975. Japanese publishers couldn’t do it either because of the pubic hair.

Love Letters by Rowland Scherman, 1975
Later I had a slide show in a gallery in Alabama in 1979 and no one so much as complained. Teachers even brought their 3rd grade students to see it.
Love Letters was also shown at the Arnol-Fini Gallery in Bristol and at the Photographer’s Gallery in London. Then the chromes sat in a closet for a decade or so. When I learned the rudiments of Photoshop, I did what would have been prohibitive in analog photography days and started making the typeface useable: spelling out greetings, making an eye chart, etc.
I really don’t know why it hasn’t had a more successful life. Yes I do: marketing. Not my strongest point.
The original chromes are 6×7″. It can be made to mammoth scale. I owe an important debt of gratitude to my (then) assistant, Chris Thomson, who designed the lighting and lots more.
Rowland Scherman
Orleans MA, December 2006
Update: Nov 17, 2008 — Big news. Love Letters is now available as a book. You can see higher resolution images of the first few photographs in the book preview below.
Update: Apr 1, 2010 — A few weeks after I published this entry, Rowland sent me a little animated GIF which reveals some of the staging process for the shoot. I neglected to post it. My error is now rectified.
See also: Scherman and Dylan : Scherman and the Peace Corps

Photographer
Lovely!
I’d like to know if the author has released them in the public domain or any other kind of license that allows everyone (me!) to use them freely.
Thanks in advance.
Someone has used these images to make a clock.I shall send you the link if yu desire.
Prakash Malshe
Go ahead and post the link, Prakash.
You can get the clock at this link:
http://billychasen.com/clock/
and you are read more abt the numbers at
http://srhpost.blogspot.com/2006/08/0-to-9-numbers-in-postures.html
great article on the erotics of type by Max Bruinsma, shows an Anthropomorphic alphabet of similar vain by Peter Flötner
http://www.maxbruinsma.nl/erotype.html