- 05.11.12
“Just My Type: A Book about Fonts”
Stephen Coles: As someone who played a small part in this book and even proofed some of the chapters (though not the more historical bits) i… - 05.02.12
Reina
Jackie: I purchased Breathe Pro from MyFonts, and thought that was one of the best I had ever seen, but this really is an exquisite w… - 04.29.12
My Favorite Font Sources: A Shortlist of Trusted Foundries and Retailers
Brittany Nutt: This was very useful. I never realized how many font websites there were. The one I only really new of was Dafont.com. This w… - 04.23.12
Interview: Phil Martin
Nick Shinn: … - 04.10.12
The Average Font
Luke Dorny: This is awesome! Stephen, I'm not sure that you intended it as such, but your brief review of the idea of new glyph overlays … - 04.06.12
Robothon 2012, RoboHint, and the Gerrit Noordzij Prize
Colin M. Ford: Great write up, Dan, and wonderful photos, Tânia!… - 04.03.12
Ain’t What ITC Used to Be
Si: … - 04.02.12
Neue Haas Grotesk
johsahaahr: They probably went with "Die Neue Haas ..." because "Die Sogar Neuer Helvetica" sounded a bit sensational! And then again we … - 03.29.12
Apple Color Emoji
Doug P: Great run down Si. I wasn't aware of the Emoji's tech background. I do remember watching them start coming online on Twitter …
Klavika is a versatile workhorse typeface. Despite its clean design, it manages to retain a certain warmth and openness. The roman sports a lovely lowercase ‘a’, a cute little alternate ampersand, and one of the most beautiful lowercase ‘g’s I’ve seen in this type of design. The fact that it is released as “fat OpenType” is just icing on the cake and gives the competition a serious run for its money.
It came as a bit of a surprise when Eric confessed that the typeface nearly escaped an early death:
I was a little reluctant about the face for several months and even shelved it completely at one point. Anytime you apply some amount of simple geometry (in this case, straight sides) to a face the chances for stylistic overlap become great. Faces like DIN, Sophisto, Bell Gothic etc. have straight sides so the push to differentiate from them was tough. In the end I just forgot about it and tried to make an open, solid and logical typeface. Hopefully something flexible and rugged.
See also: Sophisto Breaks Basic Sans Monotony
I really think Klavika is an achievement, bringing some warmth to a still neutral, high-tech looking design. And it manages to get openness into relatively narrow design, which gives it an inviting readability compared to many sans. I hope we see a lot of it.
William wrote his comment over 3 years ago and his wish has come true. We’re seeing a lot of Klavika. Here is the Fonts in Use page at Process and here are a few images and links I’ve collected.
It is also being used a lot by Chevrolet in some of their collateral and advertising.
@Chris Klavika is the new typeface for Chevrolet (and GM). It is all over the artwork in the site for advertisers.
Facebook logo uses it
Yep! Read more about that here.