- 05.25.13
Taking Your Fonts to Market: Foundry, Reseller, or Go Solo?
Kent Lew: Stephen, I've always appreciated the various iterations of this overview that you've offered. I also appreciate how unbiased … - 05.24.13
Aften Screen
Ian: Aften Screen comes with bold and italic and a separate small caps. I hope that the typeface gets expanded to have bold italic… - 05.13.13
Library Subscriptions: The Future of Fonts? Shall We Sing or Cry?
Rudy: I think that you forgot one major question: Why would a type designer continue to develop type? Their part of the cake become… - 05.04.13
Roof Kerning in Amsterdam
Matijs van Zuijlen: So, does the current actual placement of the letters match the one in the artist's impression?… - 05.02.13
Instant
Hrant: Instant confuses me… The part of me that loves innovation gets happy looking at it, but the part of me that insists on sober … - 04.26.13
Krul
Tim: I love that a face so decorative is this legible. A very nice achievement.… - 04.16.13
Source Sans
Hrant: There's something I'd like to clear up, although it might essentially be merely a terminological issue: assuming it's true th… - 04.14.13
Roboto is a Four-headed Frankenfont
Christoph: Amazing! Thanks, Stephen. And the fun just never ends.… - 04.09.13
Comenia
Andrew Boardman: A beautiful and extremely usable "superfamily" that I hadn't considered previously. Thanks, Florian, as always.… - 04.09.13
Balkan Sans
Thomas Dang: Interesting concept but it's difficult to read and the kerning leaves something to be desired. I'm certain that it would not … - 04.07.13
The Elements of Typographic Style, Version 4.0
Craig Eliason: Thanks for this well considered and written review. For me, I never considered Bringhurst's book a bible. Among other quirks,… - 03.31.13
JAF Bernini Sans
Hrant: Thanks to Bill Dawson's piece on XK9 I just realized that Bernini is actually a brother-sister twin, with one being more rese… - 03.20.13
Our Favorite Typefaces of 2012
Stephen Coles: Nick Sherman raises good questions about quantity. I think it’s useful to have a discussion about what this list means and wh… - 03.19.13
Turnip
Hrant: I love Turnip, for the magical transformation it performs between display and text, and the wonder it injects into the craft … - 03.18.13
Quintet
Stephen Coles: It’s been over a year since I saw Quintet on the KABK class of 2011 site and I am still amazed by it. It was a monumental ach…
Klavika is a versatile workhorse typeface. Despite its clean design, it manages to retain a certain warmth and openness. The roman sports a lovely lowercase ‘a’, a cute little alternate ampersand, and one of the most beautiful lowercase ‘g’s I’ve seen in this type of design. The fact that it is released as “fat OpenType” is just icing on the cake and gives the competition a serious run for its money.
It came as a bit of a surprise when Eric confessed that the typeface nearly escaped an early death:
I was a little reluctant about the face for several months and even shelved it completely at one point. Anytime you apply some amount of simple geometry (in this case, straight sides) to a face the chances for stylistic overlap become great. Faces like DIN, Sophisto, Bell Gothic etc. have straight sides so the push to differentiate from them was tough. In the end I just forgot about it and tried to make an open, solid and logical typeface. Hopefully something flexible and rugged.
See also: Sophisto Breaks Basic Sans Monotony
Yves Peters is a [typo]graphic designer, drummer with Rosa Luxe*, Grand Theft, Troubleman, and The Secret Reggae Band, and father of three. He writes about type and typography for The FontFeed and Unzipped, his blog for FontShop Benelux. His talent for being able to identify most typefaces on sight is utterly useless in daily life.
I really think Klavika is an achievement, bringing some warmth to a still neutral, high-tech looking design. And it manages to get openness into relatively narrow design, which gives it an inviting readability compared to many sans. I hope we see a lot of it.
William wrote his comment over 3 years ago and his wish has come true. We’re seeing a lot of Klavika. Here is the Fonts in Use page at Process and here are a few images and links I’ve collected.
It is also being used a lot by Chevrolet in some of their collateral and advertising.
@Chris Klavika is the new typeface for Chevrolet (and GM). It is all over the artwork in the site for advertisers.
Facebook logo uses it
Yep! Read more about that here.
[...] is Eric Olson’s very popular straight-sided tech sans Klavika, a typeface that surprisingly almost didn’t happen. Nice texture [...]
[...] To conclude, let me share with you the surprising fact that the insanely popular Klavika, Process Type Foundry’s most successful face to date, almost wasn’t released. From my Typographica piece of December 10, 2004: [...]