- 05.11.12
“Just My Type: A Book about Fonts”
Stephen Coles: As someone who played a small part in this book and even proofed some of the chapters (though not the more historical bits) i… - 05.02.12
Reina
Jackie: I purchased Breathe Pro from MyFonts, and thought that was one of the best I had ever seen, but this really is an exquisite w… - 04.29.12
My Favorite Font Sources: A Shortlist of Trusted Foundries and Retailers
Brittany Nutt: This was very useful. I never realized how many font websites there were. The one I only really new of was Dafont.com. This w… - 04.23.12
Interview: Phil Martin
Nick Shinn: … - 04.10.12
The Average Font
Luke Dorny: This is awesome! Stephen, I'm not sure that you intended it as such, but your brief review of the idea of new glyph overlays … - 04.06.12
Robothon 2012, RoboHint, and the Gerrit Noordzij Prize
Colin M. Ford: Great write up, Dan, and wonderful photos, Tânia!… - 04.03.12
Ain’t What ITC Used to Be
Si: … - 04.02.12
Neue Haas Grotesk
johsahaahr: They probably went with "Die Neue Haas ..." because "Die Sogar Neuer Helvetica" sounded a bit sensational! And then again we … - 03.29.12
Apple Color Emoji
Doug P: Great run down Si. I wasn't aware of the Emoji's tech background. I do remember watching them start coming online on Twitter …
Munn’s designs are simple and clever, often employing pre-digital type. There is still plenty of rub-down lettering, film fonts, and Dover stuff that hasn’t been digitized, so Munn creates the vectors himself — a trend that is more and more common these days, but not usually executed as well. Any imperfections in the letter outlines are treated kindly by the irregular nature of screen printing.
You can purchase many of Munn’s hand-printed posters at his site for a very reasonable $25 a pop.






Thanks for the article, Stephen. I’m am so impressed with The Small Stakes’ work: clean, classic and fabulous.
Sharon
The “Treasure Island” is great.
Hey I’ve met that guy too. He does fierce work.
I love these posters; thanks for the article, Stephen!
Subtle and excellent. I love Munn’s restrained color sense and use of spaced linear capitals—bold ones at that. The spaceyness helps create the “clean, classic and fabulous” look Sharon points out.
Classicism never dies, it just goes on redefining itself.
Thanks for mentioning/linking ‘The Small Stakes’. Breathtaking and looovely works. Bookmarked and recommended.
Jason does great work. I picked up his poster for Matt Pond PA at their Troubadour show a couple years ago. Very nice stuff.
Great stuff. His poster for Nouvelle Vague is a wonderful ode to Excoffon’s fashion advertising work as well. Lovely, lovely stuff.
Sweet posters. Bought 2 of the the other day and I was impressed with the quality of them. Will be buying more!!!