- 05.14.12
“Just My Type: A Book about Fonts”
Patrick Barber: I did think about the audience, Meredith. I believe that ordinary Joe Scrapbookers, along with experienced typographers, are … - 05.14.12
An Interview with Cyrus Highsmith
Jelmar: Nice interview. I've read a couple of interviews with Highsmith before, and I like his realistic / rational look on things. … - 05.02.12
Reina
Jackie: I purchased Breathe Pro from MyFonts, and thought that was one of the best I had ever seen, but this really is an exquisite w… - 04.29.12
My Favorite Font Sources: A Shortlist of Trusted Foundries and Retailers
Brittany Nutt: This was very useful. I never realized how many font websites there were. The one I only really new of was Dafont.com. This w… - 04.23.12
Interview: Phil Martin
Nick Shinn: … - 04.10.12
The Average Font
Luke Dorny: This is awesome! Stephen, I'm not sure that you intended it as such, but your brief review of the idea of new glyph overlays … - 04.06.12
Robothon 2012, RoboHint, and the Gerrit Noordzij Prize
Colin M. Ford: Great write up, Dan, and wonderful photos, Tânia!… - 04.03.12
Ain’t What ITC Used to Be
Si: … - 04.02.12
Neue Haas Grotesk
johsahaahr: They probably went with "Die Neue Haas ..." because "Die Sogar Neuer Helvetica" sounded a bit sensational! And then again we …
William Morrisey designed for some high profile clients like Orbitz (logo) and Saturday Night Live (opening credits), but my favorite piece in his gallery is the identity for a jeweler, replete with antique type and coated with a curious, modernizing pink goo. His penchant for 19th century typography also shines in the packaging and book for the Anthology of American Folk Music.
Morrisey is not to be confused with the long departed artist and typographer William Morris, but with a name so similar I think it’s okay to say he was destined for greatness.
I grabbed this link at the always buzzing Newstoday, where one can find some gems amidst the folderol.
Mr. Morrisey is truly the Last of the Famous International Playboys.