Nameplate set in FF Quadraat Web from FontFont. Your typeface could be next. Learn more.
Commentary

Unfolding William Morrisey

Typographica on April 2, 2004

We haven’t shown many examples of type in use lately, so here is a stunning portfolio to get us rolling again:

William Morrisey designed for some high profile clients like Orbitz (logo) and Saturday Night Live (opening credits), but my favorite piece in his gallery is the identity for a jeweler, replete with antique type and coated with a curious, modernizing pink goo. His penchant for 19th century typography also shines in the packaging and book for the Anthology of American Folk Music.

Morrisey is not to be confused with the long departed artist and typographer William Morris, but with a name so similar I think it’s okay to say he was destined for greatness.

I grabbed this link at the always buzzing Newstoday, where one can find some gems amidst the folderol.

One Comment

  1. John Butler says:

    Mr. Morrisey is truly the Last of the Famous International Playboys.

Post a CommentSign in as guest or log in below

Colophon

Typographica is a review of typefaces and type books, with occasional commentary on fonts and typographic design. Edited by Stephen Coles, also of Fonts In Use and The Mid-Century Modernist.

Founded in 2002 by Joshua Lurie-Terrell. Relaunched in 2009 by Coles and Chris Hamamoto.

Set in Anchor by Eric Olson, FF Dagny by Örjan Nordling and Göran Söderström, FF Quadraat by Fred Smeijers, and Lucida Sans/Grande by Charles Bigelow and Kris Holmes.

Brought to you by this month’s nameplate sponsor, FontShop, MyFonts, Veer, Wordpress, and the letter B.

Account