Ads via The Deck
Nameplate set in Beausite. Your typeface could be next. Learn more.
Capitolium News 2 fonts
Capitolium and Capitolium News
Typeface Review

Capitolium News 2

Reviewed by Claus Eggers Sørensen on January 25, 2012

So why is Capitolium, a design from 1998, on this year’s list? Well, Gerard Unger expanded his design in 2006 with cuts suited for newspapers, and in 2011 it was updated and released as Capitolium News 2 by Type Together, giving it a wider retail audience for the first time.

The updated fonts expand the character set to cover Central European languages and implemented a range of OpenType features. The design was a winning entry in the 2011 ATypI letter.2 competition, honoring the best type design of the past decade. Where Capitolium was inspired by ancient Roman inscriptions and the penmanship of Giovanni Francesco Cresci, Capitoloum News is an adaptation for newsprint featuring a larger x-height. By doing so, Unger re-appropriated his earlier design in a modern manifestation of le goût hollandois of which Unger is a leading contemporary voice.

Capitolium News manages to be very pragmatic while still speaking a beautiful design language full of flavor. Even a casual glance reveals it as clearly Unger and clearly usable – something that typeface designers have always aspired to, but few master as well as Unger. An interesting comparison is that to Ludwig Übele’s FF Tundra, which also  features the large x-height and slightly condensed letterforms that characterizes the Dutch style. I feel these general letterform proportions suit screen reading very well. They allow more text to be displayed on a given screen, so that less user scrolling, pinching and zooming, and page-flicking gets in the way of reading.

With mobile devices moving towards pixel-dense screens, it’s time for publication designers to move away from the overly bland sans serifs, the overly wide serifs, and the stale revivals of the world. In today’s technological landscape, designs like Capitolium News and Tundra are very worthy of your consideration.

Born 1973 in Denmark, Claus Eggers Sørensen received his BDes from The Gerrit Rietveld Academie in Amsterdam, The Netherlands, and his MA Typeface Design at The University of Reading, The Department of Typography & Graphic Communication. He has a background in graphic design and commercial art direction.

Post a Comment

Comments at Typographica are moderated and copyedited, just like a “Letter to the Editor” in a newspaper. Abusive or off-topic comments will not be published. Compliments are appreciated, but will not be published unless they add to the conversation. Thank you!


Typographica is a review of typefaces and type books, with occasional commentary on fonts and typographic design. Edited by Stephen Coles with Caren Litherland and designed by Chris Hamamoto. Founded in 2002 by Joshua Lurie-Terrell. Relaunched in 2009 by Coles and Hamamoto.

Set in Bureau Grot by Font Bureau, Nocturno Display by Nikola Djurek, Fern (unreleased) by David Jonathan Ross, and JAF Bernini Sans by Tim Ahrens.

Brought to you by this month’s nameplate sponsor, Fontspring, MyFonts, FontFont, Wordpress, Fused, and the letter B. Read our editorial policy.