Nameplate set in Orwellian by Shiva Nallaperumal. Your typeface could be next. Learn more.
Ads via The Deck
Typeface Review

Say Cheese

Reviewed by Frank Grießhammer on March 13, 2013

This project may not be the “most beautiful” typeface of 2012, but it should win a prize for being one of the most amusing ones.

Every letter and symbol of Say Cheese tries to incorporate a smiling face. This idea is equally ridiculous and great. Subtracting the smileys from the letters, we get a glimpse of Alan Blackman’s calligraphy which, over the decades, has developed into a signature style. His work is quite idiosyncratic; as can also be seen in earlier designs, such as Galahad (Adobe, 1994).

I had the opportunity to meet Blackman in person, so I know that he is a big fan of smileys (also, of smiling). In a way, this typeface is very honest, a pure expression of his personality. Blackman is fully aware of the silliness of the design and he admits that even now his typeface makes him laugh.

Andy Benedek is a type designer from the UK, who frequently works together with Michael Harvey, and has worked on numerous custom type projects. For Say Cheese, Benedek served as a facilitator, helping Blackman to transfer the design into digital form and expand the existing character set.

Interviews with both Blackman and Benedek have been published on Linotype’s website. There, we can read why the whole design process took around 15 years; how the two worked together; and — finally — why the font is called “Say Cheese”.

Frank Grießhammer studied Communication Design at HBKsaar in Saarbrücken, Germany and at ISIA Firenze, Italy. He received a master’s degree in typeface design from Type & Media at KABK Den Haag in 2010. After working for FontShop International in Berlin, he joined the Adobe Type Team in 2011.

5 Comments

  1. Wow! Many thanks for this, Frank. I promise to love you forever, ab ☺ ☺ ☺ ☺ ☺

  2. Otmar Hoefer says:

    I likes this face very much when Alan was here in Germany visiting my father. They came to visit Linotype and we decided that we will make this as a fun font. It took a while but now it looks really great.

    Congratulations Alan.

  3. john Thompson says:

    Alright Alan, way to go. The font is you.

  4. Nick Shinn says:

    Placed at the end of the Typographica review, like the quirky fun item at the end of a newscast.

  5. TL says:

    Very unique “g” form!

    I think I would have liked this a bit more if the smilies hadn’t all been virtually identical. The “e” is clever.

Post a Comment

Comments at Typographica are moderated and copyedited, just like a “Letter to the Editor” in a newspaper. Abusive or off-topic comments will not be published. Compliments are appreciated, but will not be published unless they add to the conversation. Thank you!

Colophon

Typographica is a review of typefaces and type books, with occasional commentary on fonts and typographic design. Edited by Stephen Coles and designed by Chris Hamamoto. Founded in 2002 by Joshua Lurie-Terrell. Relaunched in 2009 by Coles and Hamamoto.

Set in Bureau Grot by Font Bureau, Nocturno Display by Nikola Djurek, Fern (unreleased) by David Jonathan Ross, and JAF Bernini Sans by Tim Ahrens.

Brought to you by this month’s nameplate sponsor, FontShop, MyFonts, FontFont, Wordpress, Fused, and the letter B. Read our editorial policy.

Elsewhere