Typographica is Twenty Years Old

Stephen Coles

Chahine & Samarskaya Cochair TDC’S 25th Type Design Competition

Tanya George

Now Open: the Typographica Library

Stephen Coles

Type Design in the Museum: Acquiring the Immaterial

Craig Eliason

Carolina Laudon

Ksenya Samarskaya

Elizabeth Carey Smith

Agyei Archer

More 2019 Typefaces to Come

Typographica

Neebinnaukzhik (Neebin) Southall

Ksenya Samarskaya

Typeface Selection Resources

Stephen Coles

Latin Letters, Made in Armenia

Naïma Ben Ayed and Riccardo De Franceschi

Type Choice, Political Choice

Agyei Archer

The Last Time the US Considered Copyright Protection for Typefaces

Stephen Coles

Building a Global Community of Typographic Practice

Aoife Mooney and Jillian Coorey

Of Branded Voices and Funny Hats: A Closer Look at YouTube Sans

Nina Stössinger

Warm Animal Blood: Dwiggins’ Mark on Contemporary Type Design

Stephen Coles

The Evolution of Metro & Its Reimagination as Metro Nova

Paul Shaw

Variable Fonts: the Future of (Web) Type

Roel Nieskens

Typewriter / Typeface: The Legacy of the Writing Machine in Type Design

María Ramos

Rejecting Infill-ism and Waterfalls of Mediocrity

Stephen Coles

Is What I See What I Get? — Math & Optics in Type Design

Anton Studer

Type Foundries Today & the Typographica Census

Stephen Coles

Type Women Talk: Positive Forces

Dyana Weissman

Type Women Talk: Experiences with Sexism

Dyana Weissman

Women’s Voices in Type, On- and Offstage, Part Two

Dyana Weissman

Women’s Voices in Type, On- and Offstage

Dyana Weissman

Sexism & Fonts

Amy Papaelias

A Haiku Homage to 2014

Dyana Weissman

Happy Birthday Mr. Typographica

Indra Kupferschmid

Questions for the New Design Observer

Stephen Coles

A San Francisco Type Design Workshop with Sumner Stone

Stephen Coles

Farewell, Peter Bruhn (1969–2014)

Stephen Coles

Undergrad, Cooper, KABK — One Student’s Road to Learning Type Design

Troy Leinster

The 2014 Letterform Archive Calendar: Historical Work, New Type

Stephen Coles

Going Global: The Last Decade in Multi-Script Type Design

Gerry Leonidas

Beyond Helvetica: The Real Story Behind Fonts in iOS 7

Jürgen Siebert

Sketching Out of My Comfort Zone: A Type Design Experiment

Nina Stössinger

Library Subscriptions: The Future of Fonts? Shall We Sing or Cry?

Stephen Coles

“The Manual of Linotype Typography” Is Now Online

Stephen Coles

Typography and Type Design 101: Reading Lists

Stephen Coles

Roof Kerning in Amsterdam

Piet Schreuders

A Fruitful Discomfort: The Face of the 2012 Olympics

Hrant Papazian

Robothon 2012, RoboHint, and the Gerrit Noordzij Prize


Dan Reynolds

My Favorite Font Sources: A Shortlist of Trusted Foundries and Retailers

Stephen Coles

Roboto Is Was a Four-headed Frankenfont

Stephen Coles

The Average Font

Stephen Coles

The State of Webfont Quality from a Type Designer’s View

Ross Mills

Cure for the Common Font: A Web Designer’s Intro to Type Selection

Stephen Coles

Where Are the Women in Type Design?

Verena Gerlach

The Webfont Revolution Is Over, Let the Evolution Begin

Stephen Coles

Farewell, FontShop

Stephen Coles

Making Geometric Type Work

Ian Moore

Audio from the Webfonts Panel at TypeCon2009

Stephen Coles

Turning the Page

Stephen Coles

A New Nameplate Tradition

Typographica

2009 Rare Book Calendar by 42-line

Joshua Lurie-Terrell

1989 Magazine Marks Birth of LettError Wit and Wisdom

Stephen Coles

Taking Your Fonts to Market: Foundry, Reseller, or Go Solo?

Stephen Coles

An Interview with Cyrus Highsmith

Christian Palino

Jeremy Pettis’ Alphabet Zoo

Stephen Coles

Michael Bierut Talks Type

Stephen Coles