Typographica’s fourth annual review showcases the best in new typeface design. Twenty-five of the world’s brightest graphic and type designers selected their favorite font releases of the year. We welcome to our regular cast of contributors: David Berlow, Ellen Lupton, and Erik Spiekermann, among others.
This edition brings two changes. First, the description has evolved from “fonts” to “typefaces”. Yes, there is a difference. Mark Simonson explains it best:
“The physical embodiment of a collection of letters (whether it’s a case of metal pieces or a computer file) is a font. When referring to the design of the collection (the way it looks) you call it a typeface.”
Our feature is more accurately a celebration of new typefaces than new fonts. Keeping these two terms distinct may be a losing battle at a time when some have already declared the words interchangeable, but we’re going to go down fighting.
Also new this year is an expanded format. Each selection gets a larger sample image, its own comment thread, and (where available) examples of the typeface in real-world use. I hope the new format encourages discussion about each face and stimulates the typographic side of your design brain.
Finally, a word on who to watch for in 2008. I was tickled when our list was once declared “the Oscars of type design”. That label is too grand — but what the heck, let’s run with it. A few rare actors and directors are nominated for two Academy Awards in a single show. It’s just as remarkable when a type designer is honored for more than one typeface from the same year. Our latest crop of honorees has three such standouts: Tomáš Brousil, Christian Schwartz, and Kris Sowersby. Schwartz makes a perennial appearance on the list — no surprise there. But Brousil and Sowersby are newcomers, each showing incredible talent, range, and an ability to meet the needs of the modern graphic designer.
Without further ado, the envelopes please.
The 2007 selections are shown in the column at right.
Other notable releases from the year are listed below, with the editor’s favorites at the top of each class.
Neutraface No. 2
The “Type 2007” logo is set in Gloriola by Tomáš Brousil. Many thanks to our contributors for their excellent reviews, and to the brilliant blog wranglers at Apperceptive for bringing our rickety old site back to life. — Stephen Coles